A pioneer of electronic music, Pierre Henry (1927-2017) has, since the 1950s, alongside Pierre Schaeffer, laid the foundations of what characterizes the music of our time. At the time, everything had to be invented: the sounds, the tools to manipulate them, the ways of broadcasting them. He influenced the pop music of the 1960s and 1970s, from the Beatles to Pink Floyd, and up to the DJs of the 1990s. He is the author of an absolute hit: the electronic jerks composed with Michel Colombier for the 'Messe pour present time' created by Maurice Béjart in 1967. But above all he is the creator of a prolific work, from the end of the 1940s to the 2010s, where pure and incredible sound experiences coexist with musical settings of texts to constitute mock operas of a new genre. Thanks to often unpublished documents, this documentary invites us to listen to Pierre Henry tell us about his journey and above all to listen to his music, one of the most innovative of the 20th century.
Pierre Henry
A pioneer of electronic music, Pierre Henry (1927-2017) has, since the 1950s, alongside Pierre Schaeffer, laid the foundations of what characterizes the music of our time. At the time, everything had to be invented: the sounds, the tools to manipulate them, the ways of broadcasting them. He influenced the pop music of the 1960s and 1970s, from the Beatles to Pink Floyd, and up to the DJs of the 1990s. He is the author of an absolute hit: the electronic jerks composed with Michel Colombier for the 'Messe pour present time' created by Maurice Béjart in 1967. But above all he is the creator of a prolific work, from the end of the 1940s to the 2010s, where pure and incredible sound experiences coexist with musical settings of texts to constitute mock operas of a new genre. Thanks to often unpublished documents, this documentary invites us to listen to Pierre Henry tell us about his journey and above all to listen to his music, one of the most innovative of the 20th century.
2024-06-10
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An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.
As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.
Choi Yeonjun prepares for his end of the year performances. He takes us along with him in his journey as he makes it all happen.
A document of Denton, TX emoviolence band bulletsbetweentongues recording their first LP "The Lights Never Lie."
Documentary about Finnish rap-duo JVG. In addition to the unprecedented video footage recorded over a ten-year period, the film features JVG and the background influencers, family members, and friends who built its story.
Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.
Filmed at the Rocket Mortgage Fieldhouse in Cleveland, Ohio, the 2021 Rock & Roll Hall of Fame Induction Ceremony honors inductees: Tina Turner, Carole King, The Go-Go's, JAY-Z, Foo Fighters, and Todd Rundgren; along with Kraftwerk, Charley Patton and Gil Scott-Heron; LL Cool J, Billy Preston and Randy Rhoads; Clarence Avant for the Ahmet Ertegun Award. The special music event also features a host of all-star presenters, performers, and special guests, including Angela Bassett, Christina Aguilera, Mickey Guyton, H.E.R., Keith Urban, Taylor Swift, Jennifer Hudson, Drew Barrymore, Paul McCartney, Lionel Richie, and many others.
A new, definitive look into the passion, humor and talent of Rasputina. Experience the rare and revealing never before seen footage through the artful lens of a one woman filmographer showcasing the honesty, hard work and sincere spirt of life on the road. Shot by Dawn Miceli during Rasputina's 2009 west coast tour, this unique documentary includes footage from back stage dressing rooms to front row recitals. Under the Corset is a truly intimate look into the music and mind of Melora Creager.
A short documentary that celebrates Dene cultural reclamation and revitalization, in which a father passes on traditional knowledge to his child through the teachings of a caribou drum.
13 years ago, director Bob Entrop made the film A piece of blue in the sky, the first film in the Netherlands that depicted the murder of almost 1 million Sinti and Roma during the Second World War. There is a taboo on what happened during the war, you don't talk about it with anyone and certainly not in front of a camera. Requiem for Auschwitz is a sequel, with the most valuable moments from the first film, supplemented with the grandchildren and the creation and performance of the 'Requiem for Auschwitz' by Sinti composer Roger Moreno Rathgeb by the Sinti and Roma Philharmonic from Frankfurt and a Jewish choir in the Berliner Dom in Berlin, during Holocaust Memorial Day. During his visit to Auschwitz in 2020 with four musicians from the Dutch Accompaniment Orchestra, Roger shows them the places that inspired him.
Back in 2006 on a stormy December night, Amy Winehouse flew to the remote, south western corner of Ireland to perform for Other Voices, an acclaimed Irish TV music series filmed in Dingle every winter. Amy took to the stage of Saint James's church, capacity 85, and wowed the small, packed crowd with a searing, acoustic set of songs from Back to Black. After leaving the stage, a relaxed and happy Amy spoke about her music and influences - Mahalia Jackson, Sarah Vaughan, Ray Charles and the Shangri-Las to name a few. Arena joined forces with Other Voices and went to Dingle to catch up with some of the people that Amy met on that day, including taxi driver Paddy Kennedy, her bass player Dale Davis and Rev Mairt Hanley of the Other Voices church. This film showcases not only Amy herself, but the musical geniuses that inspired her to forge her own jazz pop style.
A documentary that charts the never ending hustle of up and coming, as well as seasoned hip-hop producers.
In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.
Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.