Ted Stevens and Richard Nixon in D.C.(1970)

if you seek amy(xx)

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

Starlight(en)

A golden sunrise brings light to the foggy hills and meadows of late summer.

Autumn Evening(en)

As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.

Winter Light(en)

Sunlight in a winter forest.

Snowfall(en)

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.

Summer Meadow(en)

A close look at flowers and pollinators on a sunny summer morning.

New Clouds(en)

Clouds forming and moving through the summer sky.

Two Trees(en)

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

A World of Dew(en)

Morning dew in summer fields and meadows.

Fulano de Tal(pt)

The Bannfoot Ferry(en)

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

Giger's Second Celebration of the Four(en)

1977 film fragment by H.R. Giger and J.J. Witmer

The Seashore(en)

A study of the seashore in mid-coast Maine.

Small Mountains(en)

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

The High Way to Die(en)

Produced by Jack McGaw and co-produced by The National Research Council, the Ontario Ministry of Transportation of Communications, and Toronto/Ontario Provincial Police, they demonstrate dangers of driving under the influence of alcohol and drugs with participating young drivers alongside field experts and researchers to aid in their experiments.

Mountain Wildflowers(en)

Mountain wildflowers in a dense fog.

Early Spring Wetlands(en)

Wildlife in an early spring wetland.

Jasper Beach and The Salt Marsh(en)

A short film featuring a pebble beach and coastal salt marsh in Maine.

The Forest and The Sea(en)

A short film featuring a coastal forest and the rocky coastline of downeast Maine.