This film reveals through flashbacks how a 13-year-old boy and his family attempt to deal with the child's fatal affliction with leukemia. Preserved by the Academy Film Archive in 2012.
This film reveals through flashbacks how a 13-year-old boy and his family attempt to deal with the child's fatal affliction with leukemia. Preserved by the Academy Film Archive in 2012.
1972-05-01
0
Inspired by a lesson from Erik Satie, a film in the form of a street: Castro Street, running by the Standard Oil Refinery in Richmond, California. Preserved by the Academy Film Archive in partnership with Pacific Film Archive in 2000.
At a morgue, forensic pathologists conduct autopsies of the corpses assigned.
Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
Pat O'Neill, one of the most interesting filmmakers in America today, offers a dazzling reflection on the conflict between nature and man in Los Angeles, or the desertification of the city's surroundings due to its enormous water consumption. More interestingly, it is also a film in the age-old tradition of city symphonies: a film about LA's foundation myths and the dreams it embodies, about its history and (grim) future, its topography and ethnography. O'Neill uses footage from several classic films to recreate the several layers of meaning emanating from the city, juxtaposing images and fantasies and hardly ever allowing one picture to go untouched. George Lockwood's swarming soundtrack is likewise composed of conflicting languages, an elaborate work of plunderphonics in which snippets of sound stolen from movies collide with electronic soundscapes, contemporary chamber music, improv, and what not. Preserved by the Academy Film Archive in partnership with Pat O'Neill in 2009.
Experimental documentary using a train journey between New York City and Washington, D.C. as the framework for an exploration of American history. Preserved by the Academy Film Archive in 2015.
Muscle Beach was shown in competition at Cannes in 1949 and won a prize at the Edinburgh International Film Festival in 1951. The short became a cult favorite, screening at film clubs around the world. Strick used an army surplus movie camera to shoot the film during weekends in the fall of 1948. The songs in “Muscle Beach,” composed and sung by political folk singer Earl Robinson, with lyrics by screenwriter and poet Edwin Rolfe, accent the film’s three-movement structure as it transitions between soaring gymnastics shows, flirty beachgoers and children playing near the now-demolished pier at Ocean Park. Preserved by the Academy Film Archive in 2009.
Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Preserved by the Academy Film Archive in 2005.
The life and works of the great artist Michelangelo Buonarroti are shown against the historical background of his time. It begins with his earliest artworks, and follows his life and career as he achieves lasting fame. The documentary includes detailed looks at some of the artist's most renowned creations. Preserved by the Academy Film Archive in 2005.
Narrated by actress Katharine Cornell and filmed in black and white, it spends the first 24 minutes introducing viewers, through newsreels, interviews, and old photographs, to the story of the deaf and blind disabled-rights pioneer. News footage shows her international appearances and visits with heads of state, including President Eisenhower allowing her to feel his face. The second half takes a day-in-the-(exceptional)-life approach to Keller's existence circa 1955. Made just 13 years before her death, Keller's famed tutor-translator-friend Anne Sullivan had already died, leaving her live-in replacement, Polly Thomson, to share the film's focus. From the time Keller takes her morning walk along the 1,000-foot handrail around her yard through her workday to her nightly reading of her Braille Bible, her serene acceptance of her life will amaze and inspire. Preserved by the Academy Film Archive in 2006.
The acclaimed poet is examined in this film completed just prior to his death at age 88, with his speaking engagements at Amherst and Sarah Lawrence Colleges intercut with studies of his work, as well as with scenes of his life in rural Vermont and personal reminiscences about his career. He is also seen receiving an award from President Kennedy and touring an aircraft carrier. Preserved by the Academy Film Archive in partnership with UCLA Film & Television Archive in 2006.
An intimate and moving portrait of one of the most remarkable women in American history. It is the story of a lonely, unhappy child who became the most admired and respected woman in the world. Richard Kaplan's lively documentary reveals the human face behind the American icon, beginning with the emotional deprivation suffered by this plain, awkward little girl born into a socially prominent and powerful family. Though she would eventually marry a man who would look beyond her awkwardness, Eleanor was not content to be the proper, silent wife to her husband Franklin's extraordinary political career. Instead, she began a lifelong crusade to speak out about injustice and oppression in any form. Preserved by the Academy Film Archive in 2006.
Who Are the DeBolts? And Where Did They Get Nineteen Kids? is a 1977 documentary film about Dorothy and Bob DeBolt, an American couple who adopted 14 children [12 at the start of filming], some of whom are severely disabled war orphans -- in addition to raising Dorothy's five biological children and Bob's biological daughter. The film won an Academy Award for Best Documentary in 1978. Preserved by the Academy Film Archive in 2007.
This fragmentary documentary was prepared at the request of the Academy of Motion Picture Arts and Sciences by Yoshio Osawa of the J.O. Studios in Kyoto, Japan, to illustrate current progress in Japanese sound picture technique. Preserved by the Academy Film Archive.
Documentary short film demonstrating the way wartime farming measures in 1943 resulted in the greatest American food crop in history. Preserved by the Academy Film Archive in 2012.
Bay Area filmmakers and Canyon Cinema co-founders Ben Van Meter and Bruce Conner were invited to L.A. to talk about Underground Film on the Art Linkletter Show. Preserved by the Academy Film Archive in 2012.
This claymation short film uses a real interview for dialogue. Bill Perry relates stories about his youth, his tilted house, and adventures during WWII in Bristol, England during the blitz. Preserved by the Academy Film Archive.
Experimental film woven around a poem about Chicano culture in the U.S. Preserved by the Academy Film Archive in 2017.
During a two-day period before and after the University of Alabama integration crisis, the film uses five camera crews to follow President John F. Kennedy, attorney general Robert F. Kennedy, Alabama governor George Wallace, deputy attorney general Nicholas Katzenbach and the students Vivian Malone and James Hood. As Wallace has promised to personally block the two black students from enrolling in the university, the JFK administration discusses the best way to react to it, without rousing the crowd or making Wallace a martyr for the segregationist cause. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1999.