BABYBABYBABY is a dance about dances about love. Directed and choreographed by Laila J. Franklin, this evening-length work taps into feelings of budding romance, when falling in love is silly and fast and sexy and devastating and you are brilliant and stupid and spellbound. Conceived as a meta-commentary on popular Contemporary dance aesthetics, obfuscated by post-modern and improvisatory movement practice, the piece sparks reflection about the human impulse for connection and versions of intimacy through the lens of love.
BABYBABYBABY is a dance about dances about love. Directed and choreographed by Laila J. Franklin, this evening-length work taps into feelings of budding romance, when falling in love is silly and fast and sexy and devastating and you are brilliant and stupid and spellbound. Conceived as a meta-commentary on popular Contemporary dance aesthetics, obfuscated by post-modern and improvisatory movement practice, the piece sparks reflection about the human impulse for connection and versions of intimacy through the lens of love.
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Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
Short film in which butoh dancing is used to reflect on the nuclear bombings of Hiroshima and Nagasaki.
Daughter of Mobius shows the struggles of an independent women living in the early 80s - an era when it was much more difficult for women to be independent. The movie follows a 29-year-old single woman - who at the time was the object of social prejudices - through her daily life, showing the sights of Seoul in the early 80s and the life of the woman, in documentary style.
A pair wander the streets of Warsaw, meeting famous Polish musicians.
Thousands of years in a mysterious land called The Middle Kingdom, many legends were created. Martial arts was one of them, made famous by its name Kungfu. In an ancient temple we encounter a little boy. Through practicing Zen Buddhism and Kungfu, our little monk eventually grows and finally reaches the sacred goal of enlightenment.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A short experimental dance film about the use of the body as an instrument of temporal expression, focusing on how our memories are held and revealed in our movement.
Dallas, an American golf tutor, arrives in a quiet Sydney suburb to teach at the local school and sets about causing chaos with the family she stays with.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
A man in his mid-thirties searches for meaning in the aftermath of a relationship.
Musical short about a fraternity and a sorority that call a halt to dating between their houses to improve their grades.
The purity of classical dance meets the opulant exoticism of the Maharajas' India in this 150-year-old ballet, glorified by Nacho Duato for the Mikhailovsky Ballet.