rushes(NaN)

some forgettable title(xx)

Frame of two overlapping images. Traffic in the city and the sunset on the mountain

see the sound(xx)

See the sound of the noise.

FOREIGN AFFAIRS(en)

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

Último Desejo(pt)

Nocturnal(en)

A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.

the flowers and sorrow he gave me(pt)

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

3 points(xx)

View from three different points of the same bus stop (point).

In The Pines(id)

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

Resonances(en)

Love Osuuskauppa(en)

Young boy confesses his love toward a grocery store chain in a abstract manner.

rhymes of a poem that never ends(xx)

Profile, face, appearance, countenance...

Nossos Filhos Estão Destinados a Morte(pt)

Leda + Swans(en)

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

3/60: Trees in Autumn(de)

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

Symbiotix(en)

An experimental piece displaying the acts of common addictions.

Il registratore(it)

The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.

Tinebe(tr)

Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.

A Collection of Images From My Last Year of Naivety(en)

Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".

Woolgathering(en)

A collection of interwoven images are threaded together by a string of unspecified women who roam their dreamscape which they are unable to escape. They are displaced, belonging to no particular point in time or place, and a disoriented sense of self pervades. Together, the film becomes a quietly throbbing organism of reality and unreality, and the gaps between an impending present and a perpetual past are frail.

Ready for Pickup(en)

Four aspiring YouTubers vlog about delivery driving as their relationships fall apart.