HOME(2024)

Family in the Bubble(ko)

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Last Train Home(zh)

A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.

Les maisons insolites de Paris(fr)

memory consolidation 01(en)

memory consolidation 01

Miz Cracker's Favorite Haunts(en)

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

A Decent Home(en)

Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.

Hidden(es)

A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.

Those, revealed on the walls, in a touch(ml)

A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

Christmas Harmony(en)

A young woman returns to her small hometown to rediscover music, family bonds, and the magic of the Christmas season.

Fadia’s Tree(en)

While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.

Palm to Palm: Love. Home. Family(en)

"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.

Goodbye Che Bei(en)

World's Weirdest Homes(en)

Charlie Luxton presents the world's 20 weirdest, most fascinating and jaw-dropping homes, from a house shaped like a beagle to a home in a New York dumpster and Pierre Cardin's space-age summer house.

Catalina and Magaluf(ca)

Catalina Feliu is eighty-nine years old and lives in the first house built in Magaluf. She adapts to the changes in her environment: she sleeps when Magaluf wakes up.

A South-facing House in Gyeonggi Province(ko)

There is a south-facing house in Gyeonggi Province. In this house, there are four people: my mom, dad, grandfather, and me. They spend their days in their own space. Sounds traverse the house, both from inside and out.

Waste Land(de)

By 2045, twenty localities in Germany will be resettled because of brown coal open pit mining. The film Waste Land follows the inhabitants of three villages in the Rhenish coal-mining district during their last years in their old home and documents how an entire region prepares for its collective relocation.

Enchained(pt)

A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.

Prysia’s Garden(sk)

An intimate meditation on exile and home, Prysia’s Garden portrays the quiet life of aging Ukrainian refugee Prysia through the detailed photographic lens of first-generation Ukrainian-American Lida Suchy. By confronting Prysia’s story, Lida reflects upon her own roots, looking to understand what makes a new place a home.

Community First, A Home for the Homeless(en)

Community First! Village is designed to lift the chronically homeless off the streets of the Austin, TX, offering them a place to call home, helping them to heal from the ravages of life on the streets, and allowing them to rediscover a purpose in their lives. This documentary explores the events that cause homelessness and the heartwarming stories of being welcomed into a nurturing environment where dignity and self-worth are restored.