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In 2004, after 174 years in which political power was always held by one or other of the parties on the right, a historic change at last became possible in Uruguay. This documentary was filmed in the days coming up to the election, and it shows how the common people saw their country. The main protagonist is the man in the street. With humour, with intense emotions, with a lot of dignity and a passion for politics, these Uruguayans show how proud they are to be playing a role in their country's history.
A Media Agua is a documentary filmed in 16mm, made up of a series of short films that review the history of the last century through the eyes of an Anglo-Uruguayan family and their perception of Uruguayan culture, World War II and technological advances of the time. Based on found and salvaged film reels, the team attempts to piece together the history of this fragmented family and its subsequent three generations, with the goal of understanding their beliefs and secrets as part of the Secret Service in South America.
In 1983 a group of 154 children aged 3 and 17 years old traveled alone from Europe to Montevideo. They were children of political exiles from Uruguay, who were unable to come back to their own country; they sent their kids to know their relatives and home country. That human sign, charged with a political message, took part in children’s identity development. Nowadays, six of them still remember that day, when a crowd received them singing all together “your parents will come back”.
A documentary revolving around the 1972 crash of the plane carrying an Uruguayan rugby team; interviews with survivors and the families of victims.
Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
The campaign of the Uruguayan rugby team, nicknamed "Los Teros", during the 2015 Rugby World Cup qualification, and the amateur character of its players that contrasts against the professionalism of their group rivals.
Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.
Tells the story of Gerardo Bleier after the pain caused by the loss of his father, Eduardo, detained and disappeared during the Uruguayan dictatorship (1973-1985). The documentary portrays the meaning of truth and the search for freedom since the discovery of Eduardo's remains in 2019.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
In 1986, the Uruguayan Parliament passed a law granting amnesty for all crimes and human rights violations committed by the military and police during the dictatorship (1973-85). This law of impunity prevented the clarification demanded by the relatives of those who had disappeared and been murdered by the former regime. A public initiative arose calling for a referendum in which the law be subject to the vote of the people. Unas preguntas uses U-matic footage, mostly of interviews recorded on the streets of Uruguay between 1987 and 1989, to present a time capsule of the period.
Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.
Documentary about Uruguayan Hardcore Punk band "Setiembreonce". Put together with archive material, old recordings and different interviews with key members of the Hardcore Punk community in Uruguay and surroundings areas. A testimony of a music genre based on its message, its DIY mentality and a clear conviction for collective work.
The Punta de Rieles prison was where most female political prisoners were incarcerated during the dictatorship in Uruguay. The way up to the building led through “the meadow” where there were animals grazing, and the prison itself was surrounded with flowers. The place seemed eminently liveable, almost comfortable, and at first sight there was no sign of the silent struggle going on behind those walls. This documentary is an attempt to reconstruct life at the prison through the testimony of some of the hundreds of women who were there and who resisted the military regime's attempts to grind them down and destroy them.
A documentary on the life of Uruguayan politician and former guerrilla fighter José Mujica.
A documentary that chronicles the recent years of the famous C.D. Guadalajara, a Mexican football club commonly known as 'Chivas', their ups and downs, victories and struggles.
In 1971, a group of young female soccer players filled Mexico City's Azteca Stadium with 115,000 spectators to play the final match of the Second Women's World Cup. This documentary features their exceptional and forgotten story.
Last summer Wolves embarked on an experiment to find undiscovered players, who may typically fall out of the system, who would get the opportunity to train with the Wolves under-21 squad during their US tour. With some players having to pay to play or access coaching, Wolves invited a group of players to the Golden Chance trial in Phoenix, Arizona to be able to scout en masse, footballers from a wide variety of backgrounds, who they typically wouldn't be able to pick up through traditional recruitment. In the second part of the trial, two of the most promising players were invited to be a part of our training camp to see how they matched up to the talent in a Premier League Academy. There will be further opportunities for players in America to get the Golden Chance, with talent spotted in Chicago and Arizona joining up with the Wolves squad in the upcoming TST tournament!