Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
Self
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
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What if it all gets swallowed up by change?
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Thanks to new excavations in Mauritius and Madagascar, as well as archival and museum research in France, Spain, England and Canada, a group of international scholars paint a new portrait of the world of piracy in the Indian Ocean.
World reference of the disco with 400 million albums sold, unforgettable titles like Waterloo, Mamma Mia ! or Dancing Queen, ABBA is a real planetary success. For 50 years, the world has been dancing to the rhythm of this mythical group. One year after the release of their new album, Agnetha, Björn, Benny and Anni-Frid meet again in a documentary that retraces the recipe of their incredible longevity. Between musicals, movies and concerts with their holograms, ABBA reveals the secret of their eternity.
Over a period of two years, Mark Cowen and his crew travelled to thirty U.S. states and ten European cities, to interview the veterans of Easy Company. The stories told by the veterans themselves, create a history of the Second World War from the point of view of this heroic company of men, made famous in the mini-series Band of Brothers.
Take a look behind the curtain to see the vast history and recent renovation of one of Rochester, New York's most famous landmarks. Architects, theater personnel, historians, community leaders, and citizens provide in depth insight from start to finish in one of the most extensive renovations the city has ever seen.
On the edge of the idyllic Lake Windemere, Richard runs a café. After a long past in the forces, he has had a dramatic shift in lifestyle, and has had to adjust to an immensely different environment. Shot in Ambleside in 2022, Good Living is an exploration of new paths and opportunities.
The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.
With the young Friedrich Engel’s letters and drawings from the years between 1838 and 1842, a unique cinematic portrait is created. The viewer thus gets to know the young Engels personally, learning about the significant moments of his development from a bourgeois-liberal upbringing to the theoretical partner of Karl Marx. Later be awarded the Gold Dove at the International Leipzig Documentary and Short Film Week.
10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
The film that Michael Janusonis of the Providence Journal claims, "is not to be missed," is an exhilarating ride; a poignant and often hilarious look at one of New England's great landmarks. YMBTT takes you all the way back to 1847, to the early beginning of Rocky Point Park, then flies fast like a roller coaster to its current, demolished state. Along the way we meet colorful and insightful characters who rode the rides, who ran the rides, and who kept the park running for all those years. You'll see hurricanes and Presidents, the Yo-Yo and the Flume, and you'll just about be able to taste those clam cakes and that chowder from the World's Largest Shore Dinner Hall.
A new film made from more than a hundred fragments of archive film, Echoes of the North transports you back to Northern England a century ago, taking its audiences down the highways and byways of northern life in the early 20th century - its industries and rural life, its wartimes and festivals, its transport, holidays, family excursions and huge, city-wide occasions.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.
When lock & dam construction along the Monongahela River threatens to flood the quiet town of Greensboro, desperate citizens seek the help of Glenn Toothman, a new young attorney, to save the place they call home. Glenn's ensuing research unearths the town's surprising significance to American history. But is that knowledge enough to stem the tides of modernity?
This is the true story how one person made a difference in the lives of over 125 people by rescuing them from Nazi Germany. In 1903 Herman Stern arrived in America at the age of 15. He could not have imagined, 30 years later, he would be helping others come to America to escape persecution from his home country of Germany. There has been very little written about Herman Stern and his goal to save relatives, extended family and even strangers from possible death and persecution in the 1930’s in Nazi Germany. This project focuses on Herman Stern’s leadership skills and desire to help all in society as well as his civic and economic contributions to North Dakota. Video Arts Studios has produced an award winning video documentary as well as an accompanying lesson plan for schools, which have been distributed electronically to North Dakota schools via the ND University Systems. The video has also been made available to North Dakota libraries, museums and service organizations.
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
With cunning and courage the japanese warlord Tokugawa Ieyasu managed to unify Japan after 150 years of civil war.