Laços(NaN)

A Culpa é do Sol(pt)

Roberto Pires: Êle Fêz O Cinema Baiano Nascer(pt)

Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.

A Guerra do Pente(pt)

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Alto das Flores(pt)

Music for now!(pt)

The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.

Goiânia's Punk: Trans Voices(pt)

Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?

Almas Silenciosas(pt)

Among Big Cats and Anteaters - With Lydia Möcklinghoff in Brazil's wildlife(de)

Crenças no ensino(pt)

love, amma(en)

After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.

O Carnaval é de Pelé(pt)

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

No Meio de Campo(pt)

Santa Rita de Sampa(pt)

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Little Sisters(en)

In Lisbon’s residence of The Little Sisters of the Poor Congregation, a group of 7 nuns takes care of 75 elderly people, helping them in their final years.

O Terceirão dos Lobos(pt)

Fulano de Tal(pt)

L'età Sperimentale(it)

Transa y Frontera: Ensaio sobre Imágenes Sidosas(es)

In a record of images and sounds, a young HIV+ man recounts his experience on the border between Argentina, Brazil and Paraguay.”

Black Out - A História Apagada no Palco da Arte(pt)

Vibrações(pt)