"Alone in Fukushima" is a feature film documentary about Naoto Matsumura who remained in the nuclear zone with animals in Fukushima.
To address the social crisis, Chiken - a buddhist monk - throws himself into various tasks such as a suicide helpline, in his temple in Yamanashi. In Fukushima, his old mate Ryûgyô - whose temple was wrecked by the tsunami - lives in a portacabin and works on construction sites.
Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.
Ten years after Fukushima nuclear accident, a familiy returns every month at their home to measure the radiation with a Geiger counter.
Documentary which follows the construction of a trailblazing 36,000-tonne steel structure to entomb the ruins of the nuclear power plant destroyed in the 1986 Chernobyl disaster.
Oscar winning composer Ryuichi Sakamoto weaves man-made and natural sounds together in his works. His anti-nuclear activism grew after the 2011 Fukushima disaster, and his career only paused after a 2014 cancer diagnosis.
Ben Fogle spends a week living inside the Chernobyl Exclusion Zone, gaining privileged access to the doomed Control Room 4 where the disaster first began to unfold.
Six months after the explosions at the Fukushima nuclear plant and the release of radiation there, Professor Jim Al-Khalili sets out to discover whether nuclear power is safe. He begins in Japan, where he meets some of the tens of thousands of people who have been evacuated from the exclusion zone. He travels to an abandoned village just outside the zone to witness a nuclear clean-up operation. Jim draws on the latest scientific findings from Japan and from the previous explosion at Chernobyl to understand how dangerous the release of radiation is likely to be and what that means for our trust in nuclear power.
In a quiet forest, a sign warns of radiation hazard. “Is this the past or the future?” muses the masked figure who appears like a kind of ghost in nuclear disaster areas. At a time when nuclear power may be re-emerging as an alternative to fossil fuels, this calmly observed and compelling tour takes us to places that may serve as a warning.
With unprecedented access to the nuclear industry in France, Russia, and the United States, Nuclear Now explores the possibility for the global community to overcome the challenges of climate change and energy poverty to reach a brighter future through the power of nuclear energy. Beneath our feet, Uranium atoms in the Earth’s crust hold incredibly concentrated energy. Science unlocked this energy in the mid-20th century, first for bombs and then to power submarines. The United States led the effort to generate electricity from this new source. Yet in the mid-20th century as societies began the transition to nuclear power and away from fossil fuels, a long-term PR campaign to scare the public began, funded in part by coal and oil interests.
In October 1957, one of the Windscale nuclear reactors caught fire. It was the world's first nuclear accident, attributed to the rush to build atomic weapons. This programme highlights the mistakes leading to a nuclear event which, 40 years on, still takes second place only to Chernobyl.
30 years after the Chernobyl catastrophe and 5 years after Fukushima it is time to see what has been happening in the “exclusion zones” where the radioactivity rate is far above normal.
Thirteen years since the Fukushima Daiichi nuclear accident, the government's plan to decommission the plant is at a crossroads. We take a close look at the efforts to secure Fukushima's future.
A powerful documentary that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that immediately followed. A powerful documentary - shot from March 11th, 2011 through March 2015 - that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that followed.
The Crowds of Chernobyl explores the reasons behind people's fascination with the (arguably) most famous exclusion zone in the world, the Chernobyl Exclusion Zone. The film attempts to explain the drive behind the 'dark tourism' industry that has blossomed in the nuclear wasteland since 2011, when the site was opened up for tourists. As the interviews from a wide of people unravel why some (including the interviewees) might even make the zone a permanent part of their life; the haunting and provoking visuals invite the viewer to make up their own mind.
It follows a group of investigators as they return to the nuclear zone in Fukushima to uncover the secrets behind the wildlife that has claimed the toxic environment as its own.
After the 11 March 2011 tsunami and nuclear disaster, residents of Futaba, a town in Fukushima Prefecture, are relocated to an abandoned high school in a suburb of Tokyo, 150 miles south. With a clear and compassionate eye, filmmaker Atsushi Funahashi follows the displaced people as they struggle to adapt to their new environment. Among the vivid personalities who emerge are the town mayor, a Moses without a Promised Land; and a farmer who would rather defy the government than abandon his cows to certain starvation.
Two weeks after the earthquake, writer and movie director Tatsuya Mori, journalist Takeharu Watai, movie director Yojyu Matsubayashi, and movie producer Takuji Yasuoka, headed for the disaster stricken area, not thinking this film would become a production. "Only to confirm the situation" was their common objective.
The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.
Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.