2022-03-10
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A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
Experimental video art set to the track "Place I Know/Kid Like You" by Arthur Russell.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
Interviews with personalities including John Mellencamp, Spike Lee, Lou Reed, Roseanne Barr, David Byrne, George Michael and more, as they reflect on the 1980s.
Eleven sexy music videos you could never see on television complete and uncensored for the first time.
Théo, the village's water tower, is crying his eyes out. To try and understand why he's sad, Robert, a nine-year-old boy, tries to talk to him but Théo takes fright and runs away. He turns up in town, where he gets taunted by the museum, some houses and the church, who don't consider him a real building. But when the town is set ablaze, they all ask for his help!
!Oye Esteban! collects 18 music videos from the King of Manchester Mope, Morrissey. The former singing star of the Smiths is featured prominently in a majority of the videos. Everyday Is Like Sunday Suedehead Will Never Marry (live) November Spawned A Monster Interesting Drug The Last Of The Famous International Playboys My Love Life Sing Your Life Seasick, Yet Still Docked We Hate It When Our Friends Become Successful Glamorous Glue Tomorrow You're The One For Me, Fatty The More You Ignore Me, The Closer I Get Pregnant For The Last Time Boxers Dagenham Dave The Boy Racer Sunny
Light Up the Night is an analog science-fiction short film set in an Orwellian, futuristic 1980s. The story tells the tensions flaring between rebellious citizens and robotic law enforcement. We are introduced to two dissidents as they take aim at the city's looming, panoptic control tower, while local band The Protomen take the stage amidst the action, inciting unrest as they narrate the struggle.
When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.
Wildest Dreams is a sonic adventure into the mind and heart of Nadine’s artistry. Drawing from personal experiences we hear and feel true reflection throughout this album.
Three people who accidentally left to Jeju Island find an old woman next to their tent - an old woman who would never wake up. As they start wondering whether the old woman is asleep or dead, it becomes more obscure whether they are concerned about or waiting for the death. Five songs drift away while the contemplation for the death. This is a film, as well as a new album of musician, Yozoh.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”
A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.
A cat named Lorenzo is dismayed to discover that his tail has developed a personality of its own.