Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
A young boy Selva chasing his football sports dreams suffers a major setback, grows into an angry young man who is drawn into conflicts by evil forces involving him and his family, which he must navigate and reform
On TJ's 18th birthday, a stranger delivers him a key from his father, last seen as he was hauled off to prison eight years earlier. With the key is an address for a proposed meeting – 3000 miles away and in two weeks. The key unlocks a timeworn 1968 convertible, with a coffin welded to its floor. With each decision that follows, TJ plunges deeper into the mysterious and beautiful landscapes we all navigate – on our own, with our tribe, through the shifting turns of the road ahead.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
A 52-minute documentary on "Scarface," both the making of the film and its reception.
From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
Punish: a reading of parts of a novel in which a military officer gives a clinical, amoral account about his role in the violent oppression of revolutionaries in 1848. Discipline: a collection of photographs of a chubby and harmless soldier at home and at work from the 1950s to the 70s.
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
In this animated film for five- to eight-year-olds, a group of schoolchildren are amazed to discover that one of their classmates does not have enough to eat. With the help of their teacher, the children come to understand that his hardship affects them all and that the fight against poverty requires solidarity and sharing. Film without words.
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
A human drama of crew and passengers on a special express train named “Sakura” from Tokyo to Nagasaki...
Bela Lugosi returns from beyond to present this documentary that investigates the origins of erotic and pornographic cinema, with uncensored images of surviving films, the first erotic films, explicit sex filmed in clandestinity, where they came from and who watched. A curious and interesting work of collages that is very informative.
An entertaining and good-hearted romantic comedy that gives a light Orthodox twist to "Romeo and Juliet".
Following the river flowing through the centre of Sisak, the film creates a portrait of a former industrial city. The river today is a space for leisure and relaxation. However, when we examine the people that live and spend time there, the social conflicts of the transition break out onto the surface. The river reveals the remains of past that were left in the water.