Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.
Le médecin
La danseuse
Le voisin
Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.
1990-01-10
5
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
The tale of five Uruguayan villagers who embark on a journey to see the ocean for the first time. They depart in a broken down freight truck, property of Rodríguez, a taciturn man who loves the sea. Their point of departure is a local bar, and at the last minute, an unknown man from the bar joins their adventure.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
A varied history of gay people and Scotland.
A renowned actor, Rafal Nawrot, is invited to play the main part in a theatre production of "Romeo and Juliet" in a backwater town. Upon arriving he realizes his mistake and is packing to leave when Julia, a beautiful blonde teenager appears at his hotel room door, the starstruck emissary from a local fan club. The encounter triggers a host of erotic fantasies and dreams for Nawrot, who decides to stay in town after all. Although his dreams more or less come true when Julia becomes sexually involved with him, his growing obsession with the young woman is paralleled by her emotional growth in a simultaneous relationship with a lover her own age.
After a strange incident, a group of russian space commandos starts developing supernatural powers. But how did they acquire such abilities and what is their intentions?
In the heart of Osaka's old neighborhoods lies a run-down apartment building known as "Copo." Its thin walls and lack of privacy are home to a group of residents, each struggling with their own pasts and uncertainties. Yuri, a part-time worker, has fled her family, while her neighbors—an aloof man who lives off women, a shy laborer with clumsy affections, and an older resident running a mysterious business—navigate their complex lives. The discovery of a fellow tenant’s death forces them all to confront their personal dilemmas and the fragile nature of life in the "Copo."
Abraham, a dedicated husband and father, struggles to provide for his young wife, Katie, and their four-year-old daughter. But, through his creative determination, he finds patronage in Jong Jans and Jong's wife, Almeri. Abraham and Katie settle into their new home, working for Jong and Almeri, but Katie's battles with mental illness and alcoholism rock the boat. Abraham staunchly supports his wife, but his own ambitions as an artist make him restless. Abraham is a dreamer who wishes to rise above his station in life and make his mark on the world, but the realities of his circumstances get in the way of happiness. In Afrikaans language with English subtitles.
Coraline has grown tired of her routine and feels stuck in her day-to-day life. For this reason, she decides to find a way to escape it.
Ten years ago, in the town of Yunwu, there lived a woman named Sulian who was so beautiful that every man in town could not take his eyes off her. Sulian had been waiting faithfully for her boyfriend who tragically died in a foreign land. Long coveted by the local men, she was forcefully violated by them. The women of the town, unable to restrain their own husbands, instead slandered Sulian by calling her a promiscuous vixen. Ultimately, in a town with no legal protections, this beautiful woman was destroyed by jealousy and sin, and died as a victim. Since then, the town’s collective malice became a secret never spoken of again in Yunwu. It wasn’t until ten years later, when men began to die violently at their weddings or while taking concubines, always with a bride doll appearing at the scene, that the name Sulian was mentioned again. The curse of the doll bride left the villagers in constant fear and unrest.
The target of Tabula Rasa is the heart of cinema. Voyeuristic desire as the pre-condition for all cinema pleasure is at stake here. What Christian Metz and Jacques Lacan have established in theory is rendered as film in Tabula Rasa. At the beginning we can recognize only shadows from which the picture of a woman undressing herself hesitantly emerges. But exactly at the point when one believes one can make out what it is, the camera is located in front of the object. Tabula Rasa takes distance, the fundamental principle of voyeurism, in so far literally, as it shows us the object of desire but continually removes it from our gaze.