A short film that deals with the social and historical importance of Rainbowfest for Juiz de Fora, exploring the first edition held after the death of one of its founders, Marcos Trajano.
A short film that deals with the social and historical importance of Rainbowfest for Juiz de Fora, exploring the first edition held after the death of one of its founders, Marcos Trajano.
2023-11-16
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Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.
To many African Americans, soul food is sacrament, ritual, and a key expression of cultural identity. But does this traditional cuisine do more harm to health than it soothes the soul?
Forbidden: Undocumented and Queer in Rural America is an award-winning 2016 documentary about Moises Serrano, who grew up queer and undocumented in Yadkinville, North Carolina.
Tracing the story of a student uprising this documentary explores how the NRA manages to keep a permissive gun law alive, and why it has such a strong hold over American society.
How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.
Originally broadcast on ABC's True Stories in 1993, Feed Them to the Cannibals tells the story of Sydney's Gay and Lesbian Mardi Gras. It was the first time cameras were allowed at Sleaze Ball and the Mardi Gras Party.
Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.
The Halari Oshwals are a small community dispersed around the world yet held together by a history of sacrifices. But times have changed. This globalization has led to many problems within the community, and their numbers are dwindling. An Oshwal woman from Canada worries about the preservation and survival of her heritage in the hands of generations to come. She sets out on a pilgrimage to visit Oshwal communities in Kenya, where she was born; the UK, where she lived for a while; and India, where her parents originated. She discovers a shared concern for the future of the community and its traditions in the face of globalization and geographical disconnect, and explores what this means for the younger generation and their Oshwal identity.
The young generation sees their future at risk. They rebel against a lifestyle that threatens to destroy the world. The corona crisis also highlighted the deficits of our globalized economy and society. Does this crisis hold a chance for change for the better? The film draws a picture of the mood of the young generation and goes on a search for traces of ideas and concepts for a world after Corona in France, Germany and Poland. What is really important for young Europeans and how do they assess their future prospects? What scares them and what makes them hope? And who stands in their way and brakes? The TV presenter Aline Abboud meets young activists and artists for this, but she also listens to the opposing voices. Especially in Poland the youth are deeply divided, more and more are getting involved in conservative or nationalist right-wing organizations, while the country is slowly drifting into an anti-democratic dictatorship.
The place is the notorious Starck Club (so called because it was the first major project designed by Philippe Starck in the US.) The Starck Club opened in Dallas in 1984 and not long after hosted the 1984 national Republican Convention. Ironically, it was actually legal to buy MDMA aka ecstasy there, people would put it on their credit cards. The DEA stepped in and made it a category 1 drug on July 1, 1985... In a time when ecstasy was legal & guyliner was cool.
A film that exposes the reality of young homosexuals who live in the outskirts of Rio de Janeiro, suffer the effects of poverty and misery, but do not lose their identity, dignity and creativity. They are homosexuals, transformers, butterflies of Brazilian real life.... They experience the possibilities and the limits of gender and sexuality, face discrimination with their heads held high, with courage, and determination... They fight for the right to be different and demand, in many ways, that their difference be respected.
A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.
Filmed in Zimbabwe, the film depicts the romantic relationship between two women, and the aftermath of the discovery of their relationship.
This documentary film aims to highlight the current situation of LGBT people living in Pakistan.
It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.
In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.
A rare look inside Cuba’s LGBT community, this compelling film follows the efforts of Mariela Castro, daughter of President Raúl Castro, as she champions LGBT social reforms and acceptance of diversity.
Bernhard, an actress-comedienne whose brassy humor attracts a cult-like following, here offers a semiconfessional view of her life's landscape. Childhood memories of her father, a doctor, and her mother, an artist, are warmly rendered in scenes of the Jewish family amiably accommodating itself to the Christmas season, and of the obligatory communal vacations joined by colorful relatives. The abrupt transition to a flamboyant denizen of "downtowns," Los Angeles or New York, to an existence as a character in the lives of marginal people, is evoked in sharply satirical terms, in a melange of humorous fact and fiction, monologues akin to those that make Bernhard an icon of pop culture.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…