Family values
A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
Gerhard Schröder has always been a polarizing figure. Even on the occasion of the former Chancellor's 80th birthday, Germany continues to grapple with him. The Social Democrat remains steadfast in his friendship with Vladimir Putin, despite Russia's war against Ukraine. Schröder also refuses to relinquish his position at Nord Stream 2 AG. As a result, his entire political legacy is in question. In the documentary, reporter Lucas Stratmann confronts former Chancellor Schröder with the criticism and accompanies him from Hanover to China.
Two teenage girls next door, from different ethnicities, experience challenges and family drama in their own way. Each one wants what the other one has but is the grass really fairer on the other side?
A girl in Norway and a girl in China are influenced by something they don’t fully understand, before they finally meet through their bathroom mirrors.
Christian, a young man from the city, travels to a town in Zaragoza, Spain of his recently-deceased father to throw his ashes and give a final farewell. He arrives to find the town abandoned years ago by everyone, leaving their houses to slowly crumble into memory, in search of better opportunities. Yet, one resident remains. An eccentric and wild man who has chosen to live alone in nature, to protect the remains of the village from the pillagers that often drive by in search of valuable artefacts. Their encounter will force Christian to confront his father's identity and perhaps finally understand why his father was the way he was.
Through the director's own experiences, the film deals with Norwegian child protection services and casts a critical eye on how their protection is governed by an enormous rule of law.