A plot to murder a rich woman results in her ending up in a catatonic state and buried alive.
Adelaide
Robert
Laura
Myra
To save the world, Super Furball has to save the bees. In order to do so, the heroic guinea pig has to redeem the biggest bully in school.
The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?
12 years after Char's rebellion, Hathaway Noa leads an insurgency against Earth Federation, but meeting an enemy officer and a mysterious woman alters his fate.
Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.
An Anglo-American indie rock band winds up stranded in Epecuén, where their internal conflicts and the bad luck of their tour quickly lose importance before the hell that awaits them.
The Tang monk said: It is difficult to be a monk, and it is difficult to be a monk with a face better than a talent; It is difficult to be a non-mainstream monk with good looks and talents. Sun Wukong said: Junior Brother Sha, that old guy is starting to lose his face again. ZBJ said: It's easy to be a pig, but it's not easy to be a pig that I do. The sand monk said: Don't look at my rough appearance, in fact, my inner thief is gentle and dripping. The little white dragon said: Don't talk to me, you've seen a few handsome guys who will open their mouths at will.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?
The hunt for imperial gold continues. A priceless scepter, a treasure that could secure a worry-free life in sunny Rio de Janeiro for Ibrahim Bender and his young apprentice Ostap, has slipped from under their noses and ended up in possession of Nestor Makhno, an anarchist army commander. Makhno is convinced that the scepter is one of many imperial relics hidden in the area. With mafia, partisans, and officers of the Red and White armies all determined to get their hands on the fabled gold cache, Ostap and his mentor Ibrahim must surpass their own brilliance to outmaneuver their rivals and snatch the prize. And with Ostap’s beloved fair maiden losing her trust in him, he must do everything in his power to win her back and stop her from marrying another man.
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
On July 7, 1944, a U.S. Army hospital on the remote island of Saipan is overrun by Japanese forces during a relentless attack. Outgunned and surrounded by the enemy, a lone medic puts it all on the line to lead a band of wounded soldiers to safety.