a²(2023)

Miracle(en)

Los Angeles-based artist Ed Ruscha’s 1975 short film Miracle centers on a day in the life of an auto mechanic (played by artist Jim Ganzer), who has a transformative experience while working on the engine of a Ford Mustang. Actress and singer Michelle Phillips of the Mamas and the Papas plays his love interest. Since the 1960s, Ruscha has received extensive critical acclaim for his paintings, photographs, drawings, and books exploring the commercial vernacular of Los Angeles—its graphic signage, architecture, and even parking lots. In effect, his work subtly comments on America’s cultural and socioeconomic evolution in the twentieth and twenty-first centuries. Miracle is one of only two films made by the artist in the 1970s. – Contemporary Art Museum St. Louis by Kelly Shindler, Associate Curator

Pecker(en)

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

Cashback(en)

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

Le Divorce(en)

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

New York Stories(en)

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

Hannah and Her Sisters(en)

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

Líneas(es)

Venus(en)

Maurice is an aging veteran actor who becomes taken with Jessie, the grandniece of his closest friend. When Maurice tries to soften the petulant and provincial young girl with the benefit of his wisdom and London culture, their give-and-take surprises both Maurice and Jessie as they discover what they don't know about themselves.

A Banner Day(en)

Canterlot high will be hosting a competition between schools, and Vice Principal Luna needs a new banner design for the occasion. She tasks three students to design it: Flash Sentry (a musician), Micro Chips (a science nerd), and Sandalwood (a New Age-style artist)

Snapshot Fiasco(id)

A model and a photographer, after hours of trying, strive for the perfect shot but face challenges as their high aesthetic standards get in the way.

Dona Eulália(pt)

Six Degrees of Separation(en)

The story of a young, gay, black, con artist who, posing as the son of Sidney Poitier, cunningly maneuvers his way into the lives of a white, upper-class New York family.

Graffiti(fr)

A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.

Snare(en)

It's 1997. Distorted guitars rule the world. In an aging Chinese restaurant, a father and his punk-rock son struggle with their familial roles as they realize they each desperately need something from the other.

The Science of Sleep(fr)

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Apple Pie(en)

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Stereotype(sl)

Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.

Rat Girl(en)

JORDAN is a lonely Manhattan painter. When GINGER, a suicidal 19 year old squatter calls Jordan by accident, she threatens to kill herself if he doesn't meet her for lunch. This dark dramedy is 'Breakfast at Tiffany's' on lithium. 16mm film

Downtown '81(en)

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

Eggshells(en)

Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.