This film essay explores the strange case of G.W. Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.
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The domestic cat has conquered almost the entire globe with around 400 million animals and is now also the star of social networks. It is not clear when and how they secured the favor of humans. Archaeologists, geneticists and behavioral biologists around the world have been researching these questions for years. Their latest findings make it possible to trace the path of the house cat.
This piece offers interviews with the real life May and Taylor, who reminisce about the concert, along with other interviews and behind the scenes footage.
Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.
What happens when the largest redevelopment in North America dismantles the place where social housing began? Will the community and its residents ever be the same? Farewell Regent is a 90-minute documentary that captures the Regent Park community of downtown Toronto (the place where social housing began in Canada) in the midst of the largest housing redevelopment project in North America. With this transition, it will go from a site of 100% social housing to a mixed-income community where condo units will outnumber the social housing units 4 to 1. The documentary profiles past and current tenants, city officials, developers and housing advocates to get an inside view of the complex issues, emotions and drama that are involved in such a massive redevelopment.
Directors Ridley Scott and Kevin Reynolds talk about the film The Duellists. Reynolds interviews Scott while watching the movie, and they examine some of the key visual shots that Scott created and that eventually got him recognized as one of the best visual directors of our time.
Documentary on the 1985 film White Nights, with interviews from Taylor Hackford, Helen Mirren and Isabella Rossellini.
Investigates the central ideas of Marshall McLuhan using pictorial techniques and including his own comments. Examines the reaction of others to his views and points out that his interest is the impact of electronic technology on the contemporary world.
A variety of patients are brought in by ambulance 24 hours everyday. In Japan, ambulance as a part of municipal fire departments, do not charge for transportation to hospitals. Under the motto of "emergency care that never refuses," the Ekisaikai Hospital in Nagoya accepts everyone from the elderly with no relatives to those in need. However, the number of ambulances carrying critically ill patients reached a record high due to the pandemic. Patients rejected by other hospitals are pouring into the Ekisaikai Hospital, and the beds are filling up fast... Documentary filmmaker Takuro Adachi observes doctors and patients in various generations and background, and listens to their real voices.
It's time to harvest the wheat on the farm so Farmer Tom shows Tractor Ted and Midge the dog the combine harvester that he needs for the job. It's so gigantic that Midge can't even see over the wheels.
July ’71 is as much a record of the daily experiences of light and shadow as it is a catalogue of domestic life. More involved with “straight photography” than Brakhage, but far more engaged with tactility and the plastics of the image than Jonas Mekas, this early work embraces the mundane—making bread in the kitchen, riding bikes by the San Francisco Bay, hanging out in a cheap-looking flat with friends, plucking a game fowl for supper—while also paying attention to the wind, water, and trees that surround these fleeting moments.
Few movements in music have gained as much critical mass as house music. Pump Up The Volume: A History of House Music is a fantastic 2001 documentary about one of the biggest music groundswells in history, which began in basements and ended up at the forefront of pop culture. The film traces house music from its early days as New York disco to its takeover of Europe’s dance scene through fascinating interviews with the people who propelled the movement and rare footage of the clubs where it came of age.
For decades, performance artist and writer Kate Bornstein has been exploding binaries and deconstructing gender. And, her own identity. Trans-dyke. Reluctant polyamorist. Sadomasochist. Recovering Scientologist. Pioneering Gender Outlaw. Kate Bornstein Is a Queer and Pleasant Danger, joins her on her latest tour capturing rollicking public performances and painful personal revelations as it bears witness to Kate as a trailblazing artist theorist activist who inhabits a space between male and female with wit, style, and astonishing candor. By turns meditative and playful, the film invites us on a thought provoking journey through Kate's world to seek answers to some of life's biggest questions.
Documentary taking a look at the making of the controversial 1978 film I Spit on Your Grave.
The quiet walk of a family is interrupted by the presence of a latent danger. This photo documentary reconstructs the spaces of the Parque de la Memoria through its works of art, while evoking the ever-present horror of the last military dictatorship.
With the help of diver and biologist Laurent Ballesta, a scientific expedition explores three sunken Italian volcanic sites in the Mediterranean.
Maria José Novais Oliveira, a black woman, resident on the outskirts of Contagem, already in her 60s, has become a film actress, with an award-winning career in Brazil and internationally. This documentary recalls the image of a unique woman who marked Brazilian cinema in the 2010s.
In 2020, at the height of the Covid-19 pandemic, when tours were canceled and all live music went silent, one band refused to stay quiet. The musical duo Buke and Gase performs to the eerily empty, famed hall Basilica Hudson.