Revista 8 (Apuntes del 36 al 39)(1939)

José Luis López Vázquez. ¡Qué disparate!(es)

José Luis López Vázquez, an essential artist in the history of Spanish cinema, manages to find a late love that changes his life, after having a successful professional life for years, but a rather neglected personal life.

11 Días en Ayacucho(es)

Arte Mexicano(es)

Exergo(eu)

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

A la porra(es)

MY TRUTH(en)

Más de La Ruta, el documental(es)

Avenida(es)

A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.

The Mystery of Marilyn Monroe: The Unheard Tapes(en)

This documentary explores the mystery surrounding the death of movie icon Marilyn Monroe through previously unheard interviews with her inner circle.

Marcos y Vida(es)

Memorias de un naufragio(es)

Desigualdad y Pobreza(es)

Hasta el último día(es)

Una carta de Leticia(es)

Leticia was 17 years old when she was kidnapped from school. She had arrived in Cipolletti a year earlier from the Vicente López National School in Buenos Aires. This letter was found while searching for photos and testimonies from those days.

Por la gloria de sus padres(es)

Documentary focused on the experiences and emotions of a group of friends who walk the Camino de Santiago.

Dos cipreses(es)

A double-edged letter in the midst of confinement. Javier starts sending videos to his son to catch him up on his new life. Through these videos, Nico will try to respond to his father.

Zero to Infinity(en)

Men at Lunch(en)

This remarkable new documentary explores the story behind one of the most iconic images of the twentieth century: the 1932 photograph of workmen taking their lunch while perched on a girder high above New York City.

Time and Memory(es)

A film essay that explores the relationship between film and memory, based on the personal memoir of the director. An autobiographical attempt to analyze this relationship going from the individual to the collective. From Chris Marker to Hitchcock and on to Kennedy´s assassination, passing through Fritz Lang and Bruce Willis, the memory of the images is fused with our own story, until they cannot be separated.

Ava(es)