Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.
2024-03-29
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"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
Sean Penn and Aaron Kaufman’s documentary, shot just before and after Russian invasion of Ukraine on 24th February 2022, and featuring several interviews with Ukraine President Volodymyr Zelensky.
Svetlana has lost her son who was found dead while he was in the army. As she tries to shed light on the culture of violence and abuse in the Belarusian military, a group of young friends from the techno underground soon face being drafted themselves. They go to rave parties in undershirts and round sunglasses, but in a moment the party could be over – at least until huge protests break out in the streets following the recent ‘re-election’ of dictator-president and Putin sympathiser, Aleksandr Lukashenko. A glimmer of hope and a promise of change, which only causes the brutality of the authoritarian society to erupt in full force.
Ukrainian musicians of all genres, from metal to opera, transform their passion for music into devotion to their country in this moving documentary. Beginning on the very first day of the Russian invasion, Soldiers of Song documents how the lives of its cast of Ukrainian musicians have irrevocably changed and how they use their musical talents to support themselves and their communities. Using shocking footage from the frontlines, this film reminds us not only of the ongoing tragedies that continue to happen during this war, but also of the resilience of Ukraine and its cultural forces. Here music functions not only to lift the spirits of the soldiers, but also as a cultural export to raise awareness of the war, a tool for raising humanitarian and military funds, and a valuable cultural artifact for everyday Ukrainians to rally around and protect. The musician’s commitment to their craft reminds us of the real power art has and the impact of beauty under catastrophic circumstances.
They were more than a million Jews. Between 1946 and 1974, this million is the number of forgotten fugitives, expelled from the Arab world, and whom history would like to forget, while the victims themselves have hidden their fate under a veil of modesty.
In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.
The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.
This film analyzes the economic interests underpinning the conflict between Palestinians and Israelis, with a particular focus on the influence of international oil interests in the region. The analysis found here is inspired by the writings of the Palestinian writer and journalist Ghassan Kanafani.
Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.
How mass protests on the Israel-Gaza border led to one of the deadliest days in a generation. One year later, a moment-by-moment investigation, drawing on exclusive interviews in Gaza and Israel and videos of the protests and bloodshed.
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
This film explores the Biligiri Rangaswamy Temple (BRT) Tiger Reserve in Karnataka, home to the Soliga adivasis, highlighting their deep connection with the forest and the impact of exclusionary conservation policies since 1974. Documenting five decades of Soliga resistance and the ecological effects of restricted practices, it challenges forced eviction models and advocates for recognizing Soliga rights. This work is the result of a two-decade collaboration between researchers and filmmakers.
Filmed in the quaint prairie town of Herbert, Saskatchewan, Heaven or Not by filmmakers Zuzana Hudackova and Danijel Margetic is an intimate portrayal of one man's tireless journey to give his life greater meaning. John Gerbrandt, a WWII veteran, has been singlehandedly building a 7,000-square-foot house over the past three decades with nothing more than his pension and salvaged materials. With no formal training, he is fuelled by a powerful determination to prove his worth to his God, his family, and his community. John's story transcends day-to-day life in a small town and reaches the realm of deep spirituality marked by an unwavering commitment. Now at the age of 84, suffering from health problems and the financial burden of property taxes, John might not be able to finish his lifelong endeavor.
The first full length film to be shot within the disputed Palestinian West Bank "Green Line," FERTILE MEMORY is the feature debut of Michel Khleifi, acclaimed director of the Cannes Film Festival triumph, WEDDING IN GALILEE. Lyrically blending both documentary and narrative elements, Khleifi skillfully and lovingly crafts a portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives.
Going to the very heart of the Bible's most challenging Book, this one hour documentary decodes the visions of Revelation 12 and 17 for everyone to understand. Journeying from the birth of Christ through the Christian era, this amazing video pulls aside the veil of hidden history to reveal the rise of Babylon, the persecution of the bride of Christ, and the real-world identity of the beast. Educational and inspiring, Revelation delivers the keys to understanding the epic conflict between Christ and Satan and what it means for your life today.
Raised in an orthodox home, Amos Dov Silver dreams of becoming Prime Minister. But when the State continues to shun him, he soon finds unexpected solace in the velvety smoke of Marijuana. Spreading his new Torah, he establishes an online community using a mobile app called "TeleGrass" that turns into the largest marketplace for drugs in Israel, raising Silver to Messiah status. Through exclusive footage of Silver, his family and his partners’ investigations, as well as secretly filmed footage of Silver in the Ukrainian prison, a polarizing portrayal of the man charged with heading a crime organization emerges. Champion of the people, or a lost soul corrupted by power?
Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.