A Family Wedding in Felixstowe(1934)

Treehugger(en)

A Valentine's Day story about a young couple, how they get together, and how they fall apart. All because of one tree.

Viikinki(fi)

Documentary film about Tony Halme, masculinity and populism. The film follows how Tony Halme created a mythical, highly masculine freestyle wrestling character, The Viking, who gained fame both in the ring and in the public eye and eventually became captivated by it. With his brash speeches, Halme fired the starting shot for the rise of the Finns Party. The voice of a forgotten section of the population, a protest against the ruling elite, were the building blocks of Halme's popularity. Halme's great popularity has served as a good example of a populist figure, admired within the deep ranks of the nation, who comes from outside the political elite and changes the direction of politics. Also, despite - or perhaps because of - his openly racist statements, he was part of changing the political climate in Finland to a more acrimonious one.

Sieben Mulden und eine Leiche(de)

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

The Wedding in Monaco(en)

Exclusive footage captures the wedding of American screen star Grace Kelly and Prince Rainier of Monaco.

Club Native(en)

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

Horňácká svatba(cs)

My Mother Can Sing But She Doesn't(bn)

Filmmaker and her mother, a village housewife: their experiences of life, abusive marriages, violence, and home. Although it’s a personal story, it could be the story of countless women in a patriarchal society of Bangladesh.

Women 50 Minutes(zh)

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Hope(ta)

Child marriages have been an unnoticed reality in some sections of the Muslim community in Sri Lanka. This film tells the story of Fatima, a 16-year old school girl, who is set to marry a man far older than her. Not only her right to education is denied but her consent to marriage too. Until she accidentally meets her future husband, she has not even seen him. She is caught up between her hopes and the reality of her destiny.

Diana: In Her Own Words(en)

Using home videos recorded by her voice coach, Diana takes us through the story of her life.

#Familiar #Touch #Lost #Figures(en)

Can we reinvent our lost queer histories? #Familiar #Touch #Lost #Figures is about queer ancestry and diaspora, a hybrid of cultural traditions and contemporary queer identity. It explores feelings of guilt and joy, and intimacy between femmes of colour.

Why Thee Wed(en)

This documentary profiles the eight couples who challenged marriage laws in British Columbia in court until same-sex marriage was recognized in 2003. As controversy swirls around this issue worldwide, Why Thee Wed? offers surprising and diverse perspectives on what it means for gay and lesbian couples to walk down the aisle and to fight for the right to do so under the law.

Vive La France(en)

Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.

The Rainbow Passage(en)

Following a year in Cadance and Amanda's gender transition, this intimate documentary charts not only their personal transformation but the building of a life and community together in regional New South Wales.

My Life Directed by Nicolas Winding Refn(en)

A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.

Son para tres(es)

At the east of Mexico City, three people have decided to break the stereotypes set by society and build a new reality; where love, solidarity and dance are the axes.

Die Ehe(de)

Marriage and sexuality is examined through the lens of screenwriter Dr. van de Velde, a Dutch gynocologist.

Overgang/Menopause(nl)

Rosemarie Blank made this film, which focuses on women aged around fifty, in collaboration with the organisation VIDO (Dutch: Vrouwen in de Overgang/Women in the Menopause). An all but invisible group of housewives who have spent their lives putting themselves last to ensure that their husbands and children can reach their full potential.

Encontro das Águas(pt)

This short film follows the journey of Rosane Pires and Iara Viana, during the preparations for their wedding, as well as the civil and religious ceremonies.

The Deal(en)

Stop-motion animation on the arranging of marriages in 1950/60s set in the Eastern-Polish borderland. The script is based on a part of Mikołaj Smyk's diary, the director's grandfather. The biographical objects used in the animation, such as an authentic headscarf, Polish and Russian books, the copy of Mikołaj Smyk's diary and photographs help situate the story in its original environment.