The Canal Map of Britain(2024)

Trainsforming America(en)

This film takes a look at what expanding passenger rail service in America would look like, as well as asking passengers what they think about increasing rail investment. Would they use it? Would it be a waste of money? Why is building high speed rail in California so urgent?

Home(en)

A feature length documentary about love, passion, pigeons and what home means to people. Daniel-John Williams an unknown Teesside actor, explores the world of pigeons and producing his first feature film but he has no idea about either.

Dear Valued Guests(en)

Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

Lynching Postcards: Token of a Great Day(en)

This chilling reflection examines the horrific history of lynchings as cultural events and celebrations that included souvenirs and postcards.

Rebellion(en)

In April 2019, Extinction Rebellion blocks strategic traffic points in London for days, leading to the arrest of hundreds of nonviolent protesters. Rebellion works, responds international climate lawyer Farhana Yamin, seeming almost surprised when the government agrees to their demand to declare a climate emergency.

Tango(de)

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

Vestindo Histórias(pt)

100 Per Cent White(en)

A decade after taking a series of photographs of skinhead members of a far-right group for his book Public Enemies, Leo Regan returns to three members of the gang to see what has happened to them in the intervening years.

Video Nasties: Draconian Days(en)

The highly anticipated follow-up to their critically acclaimed VIDEO NASTIES: MORAL PANIC, CENSORSHIP & VIDEOTAPE documentary, director Jake West and producer Marc Morris continue uncovering the shocking story of home entertainment post the 1984 Video Recordings Act. A time when Britain plunged into a new Dark Age of the most restrictive censorship, where the horror movie became the bloody eviscerated victim of continuing dread created by self-aggrandizing moral guardians. With passionate and entertaining interviews from the people who lived through it and more jaw dropping archive footage, get ready to reflect and rejoice the passing of a landmark era.

Interview With A Murderer(en)

A famed criminologist reexamines the evidence in this powerful interview with murderer Bert Spencer, suspected in the killing a paperboy in 1978.

The Great Hack(en)

Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.

Think of England(en)

Shown as part of the BBC's Modern Times series. Think of England shows Parr talking to the many people he encountered in the summer of 1999. He innocently asked people what it took to be English, and this simple question provided many revealing answers.

The Cemetery of Cinema(fr)

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

Triboro(en)

A trip behind and beneath the street-level skin of the city on the hidden paths of industrial history and once-and-future transit.

Z vôle ľudu zrodené(sk)

I'm Not Black, I'm Coloured: Identity Crisis at the Cape of Good Hope(en)

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.

Benedict Arnold: Hero Betrayed(en)

Benedict Arnold is not the villain of American history most people were taught to believe. New facts and never before presented material illuminate his heroic contributions to the American Revolution and explains his later change of allegiance.

Dallas, une journée particulière(en)

November 22, 1963, John Fitzgerald Kennedy was assassinated in Dallas. Through the perspective of various stakeholders, Patrick Jeudy attempts to trace step by step the progress of this black day in American History.

1917: One Year, Two Revolutions(fr)

In February 1917, Imperial Russia plunges into revolution. Nine months of unrest before a coup brought about an upheaval that changed the course of history and profoundly altered the future of civilisation.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.