Looking at a cup of coffee.
Looking at a cup of coffee.
2018-09-11
0
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
Birth growing and gathering of a family which is not even an average one
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
"Heart-wrenching cry about the physical suffering caused by the AIDS plague being compounded by the shameful arrogance of self-appointed moralists."
The personification of Death's love for a lonely man is challenged when he falls for a lively woman.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
Edited but unprinted. Filmed in Paris. Original reversal film in Temenos Archive, Zurich.
Edited but not printed. Filmed in Zurich. Original reversal film deposted in Temenos Archive, Zurich.
(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
meditative piece made on a whim while shooting a longer film. shot at Prettyboy Dam
Caspar Stracke replicates Jill Godmilow's replica of Harun Faroci's film "Inextinguishable Fire."
Celebrating their 30th anniversary, Monty Python presents exclusive new material and so-called classic bits. Disc : 1 Contains 1:It's The Monty Python Story 2:Pythonland 3:The Last Python Mayday Special 4:From Spam to Sperm:Monty Pythons Greatest Hits An Animated South Park Tribute Disc:2 1 The Last German Episode Fliegender Zirkus #2: Schnapps with Everything
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
the franklinia flower, now extinct in the wild, appears here as a printed image (a drawing from 1782) pinned against a kitchen wall. hand and figure move disjointedly. the light of day gives way to electricity, to darkness, and to morning. recorded on a video camera built in 2002: an obsolete image tracing some accidental gestures and capturing a form of life existent only in cultivation. some fragments of vermeer, general electric, and chiquita brands international.
A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.
An accounting of dreams I’ve had while filtered as a D*sney cartoon.
For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.