La bella addormentata nel bosco(1978)

Portrait de Rosa, à la française(fr)

Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.

Maccaia(it)

Mio padre amore mio(it)

Fede is a theater actress who, while putting on clown make-up for a show, thinks back to her relationship with her father: a relationship of tenderness, desire and hatred.

Giochi di latte(it)

Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.

Lo scialle azzurro(it)

A woman, director of advertising films, catches the eye of a mysterious young woman dressed in white during an evening of dancing on the terrace of a bar and is fascinated by her.

Dead Funny(en)

A lonely mime takes desperate measures in order to find the audience he deserves.

Mania(pt)

A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.

Selkie(en)

According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.

Waves 2(en)

After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.

HUNGER(it)

La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.

Macabre(en)

A sleep paralyzed woman confronts her demons.

Speak To Me Of What I Know(en)

Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.

Fulano de Tal(pt)

Reverie(en)

An experimental portrayal of being adrift in a daydream.

sissi's mixtape (a guide to love, loss & desperation)(en)

fragments from song lyrics of different artists have given life to this story about love, loss and desperation.

DARKMAN(en)

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Island Home Country(en)

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Reflejos(es)

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Dirty Sally(en)

Things get personal when reneage cop Dirty Sally investigates local drug kingpin, The Sugarman.

The Bridge(es)

Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.