"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).
"What I tried to "tell" is Rosa's close and distorted relationship, common to many women who are used to living alone with themselves, with objects that have become animated and unreal and the relationship which is completely silent, but no less clear and explosive of Rosa with her feminine unconscious” (D. Maraini).
1978-01-01
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Three women leave for a beach holiday. The joy, the carefreeness of days on the beach, lunches on the terrace, lazy afternoons punctuate this "holiday film" which slowly reveals and builds the sensual and playful intimacy of the relationship that binds the protagonists/directors.
0.0According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.
0.0Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.
0.0An awkward boy and a shy girl meet on a bench, what awaits is a night they will remember forever.
0.0A lonely mime takes desperate measures in order to find the audience he deserves.
0.0La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.
10.0fragments from song lyrics of different artists have given life to this story about love, loss and desperation.
0.0It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.
0.0Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
0.0Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
4.0A super 8 film. A woman in search of precious items left behind by someone special. Una mujer en busca de objetos preciosos dejados por alguien especial.
After of Waves 1 (1972) Amos Gitai made another short film entitled Waves 2, in 1976 and again in Super-8.
6.0It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed?
5.0A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
0.0A dough-eyed newcomer to New York is sent on a mental spiral of his own self-worth when he is asked to take photos of a random couple in a park and he finds out what it truly means to be a New Yorker.
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0.0A journey through different processes of capturing light using pinhole cameras (pinhole camera in Super 8 format), accompanied by a cassette recorder during the director residency at Nanolab (Daylesford, Australia). It represents a step between the interior and the exterior, between moving forward and going back. It is about the space the director inhabit, the one she walk through and capture over and over again.