Egon is dead, but that doesn't bother him. Now he's in heaven and has nothing to do with the women who got him there. It all started with Egon's wife, who was so horny that Egon never gets a break. His boss also demands his services and in the end it was too much for him too.
Eleonore
After saving himself from hanging, Laramie Nelson saves Tracks Williams from the same fate. They then travel to Lindsay's ranch where they get jobs. There they run into Adams who they learn is planning to rustle Lindsay's horses.
Four women find purpose carrying babies for strangers in Boise, Idaho -- the unofficial surrogacy capital of the United States -- and encounter complexities along the way.
Chris surprises his girlfriend Em with the purchase of an old station wagon hoping to reignite their fading relationship. When Em tries to find the right moment to give Chris some news of her own, the timing couldn't be worse.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
This is a theatrical play adaptation of the popular comic series "Lychee Light Club."
Nancy's back from the grave … and she's just dying to make new friends.
An animated animal couple tries to resolve their problems.
A reporter and a photographer become entwined with women, marriage, and a defecting Russian scientist while on an expedition to Antarctica for their magazine.
On the occasion of awarding the Cervantes Prize to the Catalan writer Juan Marsé on 23 April 2009, family members, friends and writers offer a sincere portrait of the best chronicler of life in Barcelona, Catalonia, during the post-war period and the worst days of the General Franco dictatorship, in the forties and fifties, and during the economic development and the hard conquest of freedom, in the sixties and seventies.
A widower who suffers from the problems of his four children and their expenses decides to use a demon to implement his requests and is able to use the methods of charlatanism and sorcery in preparing that demon, but before he achieves his wishes and requests, he suffers a heart attack, falls into a coma, and must live that demon with his children.
Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.
Issues that make gender identity a social construct are exposed through the relationship between a teenager, a mother and the place where they live. Watch here: https://vimeo.com/263725339
Chicago cop Robert Malone finds himself in The Philippines, ostensibly to learn the techniques of Interpol. Before he exits the Manila airport, his wallet is stolen by a pickpocket. Malone endures a testy relationship with his new colleague Kevin McCall while evidence surrounding the stolen wallet pulls both of them deeper and deeper into a web of intrigue.
Non Succederà Più tells a chapter of Giovanni Vestri’s life, divided into chapters, a prologue, and an epilogue. It is an intimate and personal work that I hope will make me smile in a few years. The film explores a passion for cinema, love for cherished places, and the bond with the special people surrounding my life.