A Primavera Há de Chegar(2022)

Puxando Raízes com Cecelia Condit(pt)

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

1900(it)

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

Roubar um Plano(pt)

One day, Renato and Adriano decide not to work. They walk through the streets of Capão, while a film crew steals some shots.

The Knot(hi)

Shirish and Geeta run a rickshaw driver over and have dramatically opposing reactions to the tragedy. Shirish moves on, hiding behind the invisible protections afforded to him by class structure, and the visible walls and locked gates of his home. In parallel, Geeta’s guilt drives her to surreptitiously employ Manoj, the victim’s younger brother, intertwining two lives otherwise separated by class and power. The small collision quickly turns into a dramatic suspense, spurred by greed, betrayal, guilt, as the nocuous effects of grave inequality threaten to unwind the very fabric of each of their lives.

Vera Ars Orbis?(pt)

What is the true meaning of the art?

La Chinoise(fr)

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Europe '51(it)

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.

Ergui as Mãos aos Céus e Não Havia Mais Luz(pt)

The Lower Depths(ja)

Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.

Le Siècle des couturières(fr)

Casa Grande: The Movie(en)

A prodigal daughter rejoins her family at their farm during a difficult time, as her ailing father faces both a terminal diagnosis and mounting pressure from competitors. Old wounds resurface as they grapple with what lies ahead.

Dias de Camus(pt)

Lunch Break(pt)

1979. Four female workers have lunch break inside the ladies' room, at a metallurgical factory. Between laughs and scuffles, each one has a secret of their own.

Brenda Lee and the Palace of Princesses(pt)

A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transsexuals", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for trans women who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transsexuals are welcomed by Brenda, who teaches them to want more out of life.

KM 100(pt)

Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.

Le Grand Détour(ar)

The young Amar, father of two children, lives on expedients and looks in vain for a job in Algiers. He decides to emigrate to France, and finds a job there, but quickly loses it after a roundup and custody for several days. Led by two shady Europeans he met in a café, he embarks with other unemployed people for well-paid work on the plantations of Madagascar. The boat that takes them finally docks in Algiers! This film had disappeared for almost fifty years. Ahmed Bedjaoui mourned it until the Berlin Cinematheque found the only copy of this work in its archives, restored it, subtitled it and screened it at the opening of its festival in 2015. The film was thrilled the large audience present, made up of professionals and knowledgeable film buffs. Due to the modesty of its self-produced means, but also by aesthetic choice, the film oscillates between neo-realist cinema and cinema vérité.

No One Loves Anyone For More Than Two Years(pt)

"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.

Soluços em Português(pt)

Nobody Owns Me(sv)

The story of a lone father's relationship with his daughter, of the destructive power of alcohol, of a child's vulnerability, but also of love, betrayal and socialist politics in 1970s Sweden.

Forward March, Time!(ru)

Soviet animation from Vladimir Tarasov.