Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938
Self
Self
Self
Documentary film from a National Socialist perspective on the political development of Germany from the First World War to the annexation of Austria by the German Wehrmacht. The film is presumably one of a series of films intended to convince voters of the achievements of the NSDAP and Adolf Hitler in particular in the run-up to the referendum and Reichstag elections on April 10, 1938
1939-01-01
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Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Documentary about filmmaker Jean Grémillon.
A visual allusion of the cleansing of the temple to numerous crimes. The film draws an arc from the Crusades to the Holocaust and the Vietnam War.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Short-documentary about the squat at Amandastraße 73 in Hamburg.
The film documents the ascent of Monga ma loba, the mountain of the gods in the Cameroon Mountains, and a visit to the town of Buea. The material was shot on an expedition to Cameroon in 1934.
A visit to the Bantu in Cameroon and the indigenous town of Kumbo. The living and working conditions of the Bantu and Bororo tribes are shown as part of this expedition.
Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.
Dialogue-free short detailing the daily tasks of a man and his wife.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Images complement what is always lacking in words. The poems complement what is always present in the city. Freely inspired by the poetry Cidade City Cité, by Augusto de Campos.