Formats and the environment. Experimental short.
Formats and the environment. Experimental short.
2018-07-09
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P.A.K. is an intensely personal document expressing the alienation, pain, and trauma of a prison experience. Using techniques of German expressionism, it examines the social and institutional forces that inform one's subjective self-definition. Stark contrasts, are combined with harsh prison reality with escape into the fantasy, beauty, and grace of classical ballet. The conflict is underscored by elements of the sound track: reverberating prison noises, the uncompromising music of punk rock and voice-over readings from the poetic works of notable writers and political prisoners Oscar Wilde and Breyton Bretonbach.
A student videoperformance about a group of emotions of a girl in a ritual of tiredness and it’s obsolescence.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
Zach, a 16-year-old, endures his internal emotional struggles on one saturday.
A cineastic meeting of two characters who are directly related to each other: Camera (Cinematographer) and Dancer. Both can define space/room, but only through interaction. They meet each other in an abstract setting (a white cube) and start a dramatic play.
Seele orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can trigger Third Impact and Instrumentality under his control.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."
A dedication to the artists grandparents, a seamstress and drummer.
A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.
A wandering young woman explores the crevices of her apartment, of her corporeal creases, as well as the shadows made up of those things. Through her journey, she comes into contact with fellow vagrancies: a nondescript man of around similar age; a young girl with similar, even familiar, eyes; streets that can only exist during those brief moments of glazing stares. The rain comes and goes, but the A/C never turns off.
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”
Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?
Rudra has come back one morning, has return to his friend Saruar's home. He had disappeared from home leaving no cue, a year ago. Saruar first came to know about Rudra's disappearance in Rudra's mother's call. Then he had gone to Rudra's home and saw how his agitated parents and elder brother were tracing out reasons of his desertion. Rudra do not answer any of these questions of Saruar now. He become immutable and eloquent. He only replies that he is tired and cinema experience Rudra's exhaustion from this world's journey in a non-narrative way. Rudra's consciousness become aware of a bigger crisis. Rudra just express interest to go to sleep for a while.