Helen Young sings, and Johnny Long leads his orchestra as they perform a song.
Self - Orchestra Leader
Self - Vocalist
Self - Vocalist
Self - Vocalists
Helen Young sings, and Johnny Long leads his orchestra as they perform a song.
1942-09-04
0
This is a short film based on Taylor Swift's "mirrorball" from her Academy Award-winning album, 'Folklore'. Ben Stafford plays James, a celebrity who serves as a metaphor for a mirrorball; fame can be glamorous and incredible, but also terrifying and fragile.
Unofficial sequel to Curtis Harrington's Queen of Blood (1966). Drums and orchestration are rumoured to be by Frank Zappa.
To recover a silver lion ornament for singer Emma Bunton Tim travels back to the court of Henry Vlll where Anne Boleyn (Emma again) asks jester Tim to send invitations to the guests for her Christmas party. However Cardinal Wolsey aims to steal them so that they will come to his own party and Tim must thwart him.
"Nothing Escapes My Eyes" is about a silent transformation of a place and a human being. Inspired by the texts of Edward W. Said, the poems of Mahmoud Darwish and Verdi’s opera Aida, the film depicts in a metaphoric form current issues of cultural identity, loss and the pressures to conform. With no dialogue, the film is backed by a musical excerpt from Aida whose lyrics express the difficulties of being loyal to one’s country and cultural identity. The personal and urban transformation tackles on issues of identity, loss and disorientation as a result of historical colonialism and contemporary globalization.
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
Music is everything. Tom listens to music to get by day to day, but what would happen if he had to suffer through his first world problems without his beloved earbuds?
A retrospective of popular music from the 1890s and the turn of the century, with words for the audience to join in.
Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.
A single day: from the tender break of dawn to the darkest night. One out of many days to come? Quite possibly the very last. A long farewell, an ultimate goodbye to a life we have grown to hold dear. Leading to a head-on dive into a new reality, into a new state of being. To long for the unknown. To desire to be at the mercy of chance. Last caresses in solidarity, last minutes in shelter. End means beginning. Death becomes birth. From water, back into water. From gas to solid. Everything is commenced by woman, everything ends with a woman.
With one coin to make a wish at the piazza fountain, a peasant girl encounters two competing street performers who'd prefer the coin find its way into their tip jars. The little girl, Tippy, is caught in the middle as a musical duel ensues between the one-man-bands.
Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.
A metalhead gets passed down a satanic guitar that riffs to shreds.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'
A short film by Keiichi Tanaami featuring the song "Fushiawase to Iu Na no Neko" by Maki Asakawa.
Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.