An amateur archaeologist obsessed with e-waste records images and sounds over ten years. His research takes the form of a personal, playful and musical diary, crossing borders and archives. One day, he arrives at an electronic recycling workshop where the ghost of a working poet manifests itself. The search takes an unexpected turn and he sets out, in the company of his cat Pendrive, to explore the links between technology and memory. In times of environmental crisis, overproduction and acceleration of consumption, he wonders: how will history be written in the future?
Pendrive
Despite constant disrespect, Olivier Giroud always delivered. Hear from France's all-time leading goalscorer and more legends of the game as they discuss the striker's incredible career.
A chance encounter on the road leads to the unusual need for a female bodyguard to protect the granddaughter of an old friend of Akiyama Kohei, a wealthy merchant who plans to bypass his son-in-law as head of the company. When Daijiro’s wife Mifuyu takes on the job strange things start to happen, including the brutal slaughter of company employees. With the backing of Lord Tanuma, a chief elder on the ruling council, Kohei, Daijiro, and Mifuyu form a plan to foil the kidnappers plot and save the girl from certain death.
Edo is rocked by the news that a duel to the death is to be held at Takadanobaba, the famed site of a bloody revenge fought by Nakayama Yasubei, who late married into the Ako clan where he was one of the 47 ronin who took vengeance against the vile Lord Kira. This hallowed spot is to host a match between two of the finest swordsmen in Edo. Each is backed by a high ranking direct vassal of the shogun, who had bet their family heirlooms on the outcome. The loser was to commit seppuku and have his clan disbanded. Meanwhile a band of brigands are placing their bets on the fencer who had earlier killed their leader. Can retired master swordsman Akiyama Kohei keep this from becoming a major disaster?
Eliezer Batista – O Engenheiro do Brasil is a documentary about the life of Eliezer Batista, former president of Companhia Vale do Rio Doce, twice Minister of State and one of the most influential characters in modern Brazil. The film reflects the thoughts and feelings of a visionary man and his achievements in Brazil and the world.
Documentary about the making of Renata Litvinova's 2004 film: "The Goddess: How I Fell in Love."
A bleed on the brain and concussion inspire a crash victim to confront the heartbreak, trauma and confusion of losing connection with the only person they ever really knew.
A short documentary on the charms of cross-country skiing. Beyond the formal beauty of the images, there floats a certain nostalgia for unknown landscapes. Something rare that pushes the neophyte to want to follow these free men, on the white paths, on exhilarating walks, taking the time to look at the landscape. Film without words.
In a world where energy sources remain untapped and electricity goes to waste, "Stranded" takes viewers on a gripping journey into the heart of Bitcoin mining, revealing the ingenious solution that not only fuels the cryptocurrency but also reclaims wasted energy. "Stranded" explores the untold story of Bitcoin miners who've uncovered a way to harness stranded electricity, transforming it into Bitcoin. This short film offers a captivating introduction to the feature documentary "Dirty Coin."
Short film about modern Hades and Persephone’s myth.
Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.
An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.
Meet an eclectic group of people who have dedicated their lives to answering the question: what should books become in the digital age? From the esoteric world of book artists to the digital library of the Internet Archive, the film spins a tale of the enduring vitality of the book.
A young colla leaves his Salta community to travel to Buenos Aires and Become a boxer, with the dream of becoming like this. of poverty. His father makes a journey from the humility of the interior to the big city to find the boy and demand the return of his lands usurped many years ago.
"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.
The story of union branch no. 100. The dismissal of a worker in a factory shows his colleagues the instability of their situation. From the discussion that followed this event germinated the idea of a union. A national union is consulted, which appoints a representative to explain the advantages and operation of a workers' union. Branch No. 100 is created and immediately becomes a trading agency; subsequently, it obtains better working conditions for the workers. The spirit that presides over all the meetings demonstrates the democratic strength of a union.
An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.