The Franconian Minister of State in the government, Richard Wilhelm, has perfectly arranged a tête-à-tête with an opposition secretary: The husband thinks his wife is with her aunt in Franconian Switzerland, Mrs. Minister of State thinks her husband is at a debate in the state parliament, and the MPs will habitually "sleep through" the minister's absence. If only it weren't for the body that suddenly appears in the hotel room: a man in a coat, scarf and suit, lifeless, obviously beaten to death by the fallen window. One thing is clear: the corpse with resurrection tendencies has to go, Richard can't afford a scandal.
Georg Pitscher
Trixie Neuberger / Schwester Giesela
Veronika Wilhelm
Sven Neuberger
Detektiv Horst Becker
Hotelmanager
Hotelpage Eddy Hemmerlein
The Franconian Minister of State in the government, Richard Wilhelm, has perfectly arranged a tête-à-tête with an opposition secretary: The husband thinks his wife is with her aunt in Franconian Switzerland, Mrs. Minister of State thinks her husband is at a debate in the state parliament, and the MPs will habitually "sleep through" the minister's absence. If only it weren't for the body that suddenly appears in the hotel room: a man in a coat, scarf and suit, lifeless, obviously beaten to death by the fallen window. One thing is clear: the corpse with resurrection tendencies has to go, Richard can't afford a scandal.
2009-12-30
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New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...
An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.
Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.
Six men, one woman (and her brother) come together with one goal - to make the play. It would be probably another common story that this theater group is composed of anti-heroes who float lost in time and space, in a town where it seems that the sun sets in the east. Led by Sasha, a director who has recently returned to his hometown, this group of socially neadaptiranih amateurs starting the fight to their demons and the prejudices that surround them in the society. For dramaturgical template selection western and riding on stereotypes of the genre of the struggle between good and evil, the conflict between civilization and wilderness, the protagonists develop their life stories inevitably influencing and changing each other. Although, as time passes, the show looks increasingly like a mission impossible, almost all of its stakeholders is increasingly seen as a metaphor for their fate and get caught for it as the opportunity of a lifetime .
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
A perceptive and funny study about the fantasies, inhibitions and dreams of two frustrated and lonely middle-class matrons who set up competing lemonade stands along a jammed highway. This short play incorporates comedy and tragedy, a touch of the bizarre, and ultimately, a sincere compassion in both women.
Is a sensitive and mysterious poet really an IRA gunman in hiding? Set in a Dublin tenement in the 1920s, this was the first part of Sean O'Casey's celebrated "Dublin Trilogy." Equal parts comedy and tragedy, this classic play is brilliantly performed by a stellar cast.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Berliner Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.
The original musical adaption of the Roman Polanski classic "The Fearless Vampire Killers". One of Europe's biggest musical hits.
Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
After the Charlie Hebdo shooting events by the hand of jihadist terrorists David wants to bring on stage a play based on the late satyrical cartoonist George Wolinski's comicbook strips, but he struggles to finds cohoperation from institutional figures. He then agrees to direct in a small provincial town a stage play about an apulian folk dance, the Pizzica. Masterminding to disguise the original planned one, with its sexually explicit nature, into the accorded one he will gain the complicity of the curious cast hired on the spot. The start of the rehearsals will arouse excited consensus either censure which will lead to a growing boycott of the staging.
Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.
The first wedding night is a comical, witty play about a forty-year-old Montenegrin man from Durmitor, who absolutely does not want to get married. With the help of various vicissitudes and pressures, the family manages to marry him. Now it was time for the first wedding night in a crowded house.
In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.
A war between two families, who live in the same building.
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.