Columbus Didn't Discover Us(1992)

Cree Hunters of Mistassini(en)

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

One Heart: One Spirit(en)

An Aboriginal Australian and Native American documentary narrated by award-winning actor Jack Thompson, One Heart-One Spirit tells the story of Kenneth Little Hawk, an elder Micmac/Mohawk performing artist, meeting the oldest surviving culture on the planet: the 40,000 year old Yolngu nation located in northern Australia.

Tawai: A Voice from the Forest(en)

Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

These Are My People...(en)

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

Monica in the South Seas(fi)

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

The Beach of Enchaquirados(es)

Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?

Shellmound(en)

“Shellmound” is the story of how one location was transformed from a sacred center of pre-historic cultures to a commercial mecca for modern people. What began as a Native American burial ground three thousand years ago, was transformed first into an amusement park, and later an industrial age paint factory. Now, the tainted ancient soil sits beneath the glittering lights of Banana Republic, Victoria’s Secret, and the AMC movie theaters. “Shellmound” examines the decisions made during the recent toxic cleanup, excavation, and construction of the Bay Street mall through the eyes of the city of Emeryville, the developer, the archaeologists, and the native Californians who worked on the site.

This Was the Time(en)

When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

Tunniit: Retracing the Lines of Inuit Tattoos(en)

Inuit traditional face tattoos have been forbidden for a century, and almost forgotten. Director Alethea Arnaquq-Baril, together with long-time friend and activist Aaju Peter, is determined to uncover the mystery and meaning behind this beautiful ancient tradition. Together they embark on an adventure through Arctic communities, speaking with elders and recording the stories of a once popularized female artform. Central to the film is Arnaquq-Baril’s personal debate over whether or not to get tattood herself. With candour and humour, she welcomes us into her world, to experience firsthand the complex emotions that accompany her struggle. Past meets present in this intimate account of one woman’s journey towards self-empowerment and cultural understanding.

Ningwasum(ne)

Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.

Attiuk(fr)

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Deep Roots(en)

Lonnie Kauk’s personal journey to honor his indigenous Yosemite roots, and to connect with his legendary father by repeating his iconic climbs.

Resident Orca(en)

Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured 53 years ago as a baby, only to spend the rest of her life performing in the smallest killer whale tank in North America. When Lolita falls ill under troubling circumstances, her advocates are faced with a painful question: is it too late to save her?

Amazônia, a Nova Minamata?(pt)

Kainai(en)

On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Nowhere Land(en)

Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.

Our Indians(pt)

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.

Our People Will Be Healed(en)

Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.

The Paradox of Norval Morrisseau(en)

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.