P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
2003-10-18
6.3
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
Battle-hardened O’Hara leads a lively mercenary team of soldiers on a daring mission: rescue hostages from their captors in remote Africa. But as the mission goes awry and the team is stranded, O’Hara’s squad must face a bloody, brutal encounter with a gang of rebels.
Stranded at a rest stop in the mountains during a blizzard, a recovering addict discovers a kidnapped child hidden in a car belonging to one of the people inside the building which sets her on a terrifying struggle to identify who among them is the kidnapper.
Majestic mountains, a still lake and venomous betrayals engulf a married couple attempting to celebrate their first anniversary.
After a family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Betelgeuse, Lydia's life is turned upside down when her teenage daughter, Astrid, accidentally opens the portal to the Afterlife.
Christmas brings the ultimate gift to Aldovia: a royal baby. But first, Queen Amber must help her family and kingdom by finding a missing peace treaty.
Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders' Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.
When the Spirit World is flooded due to an unusual rainfall which overflows the River Sanzu (aka the River Styx), Lord Koenma senses an extremely powerful enemy. He entrusts Death God Botan, to deliver to Spirit Detective Yusuke, a mysterious item which must be protected from the invading enemy. However, by the time Botan finds Yusuke, she's too weak to explain the situation. Yusuke and his friends are left in the dark about the new enemy, but not for long. Soon it is a battle for Earth between mere Spirit Detectives and the almighty king of the Netherworld.
When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.
An Irish undertaker profits when outlaws take over a peaceful town, but his own family come under threat as the death toll increases dramatically.
Covered in ice and snow, Elior Forest is the home to dangerous magical beasts and 50 elves frozen in ice. One day, the great spirit Puck helps a young girl break out of her ice prison. Her name is Emilia, a half-elf born with silver hair, long ears, and amethyst eyes—features that resemble the evil Witch who destroyed half the world long ago. Shunned by society because of her appearance, Emilia dwells in the forest with Puck as her sole companion and family. Burdened with a sin of destruction she does not remember committing, she spends her days trying to find a way to help her frozen kin. But when the great spirit Melakuera, the Arbitrator of the world, finds Emilia, her right to stay alive is brought into question. Will the bonds of ice she formed with Puck prove to be the warm thread that defies fate?
After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
In an alternate timeline the original Godzilla is never defeated and repeatedly reemerges to feed on Japan's energy sources. A new inter-dimensional weapon called the Dimension Tide is created with the intent of eliminating Godzilla. However, the new weapon might also serve as a gateway to something far more sinister.
Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
After finding an odd envelope, Policeman Ming-han's life takes a spooky turn: He's now wed to a ghost husband, and they must solve a crime together.
A recently single Jessica sends Christmas cards to people who have impacted her life—the aunt who raised her, her younger brother in the military, a popstar who was part of the soundtrack of her life, the music teacher who inspired her, and the best friend who always tells the truth.
Gon, Killua, Kurapika and Leorio reunite to face a dangerous opponent who was once a member of the Phantom Troupe.
A father, immersed in a difficult divorce process, embarks on a dangerous mission when his children disappear from their isolated country house.
Serena Bruno is an architect who studied and got several masters in different countries of the world but she decides to go back to Italy so she can live and work there. She will soon find out that her native country is not as open minded and she will struggle to find a job that she truly loves and is passionate about. Along the way she will meet Francesco a gay man who will help and support her throughout her journey.
Rare interview of Sergio Martino and Edwige Fenech (with Luciano Martino, Ernesto Gastaldi & George Hilton) discussing their film The Strange Vice of Mrs. Wardh
A story about the first Serbian Olympian who won bronze medal at the first Olympic games in 1896, also a world class architect.
Insomnies is an impressionistic look at the city at night, avoiding the clichés of commercial or tourist films and suggesting instead a lifestyle rhymed by windshield wipers and the music of The Honeymoon Killers. The film is flashing back-and-forth and ultimately leaves, like an arabesque of light and colour made of lines, curves and angles.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
This is Meg. She has TMJ and not a lot of time to work on it.
Player Two is a short animation that explore the relationship that develops between two brothers of differing age growing up, and how video games foster that bond.
A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.
A nervous, careless recording of a trip through India and Nepal at the beginning of the 1970s. Fleeting impressions of faces, landscapes, temples, people and things. Images that, having been captured in a ephemeral medium, proceed to fade away (although without aging), alongside the river of time.
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.
For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.
The film shows the prey-catching behaviour of the edible frog at a small garden pond and at a gravelpit. The catching of creeping and (under experimental conditions) hanging earthworms, of flies sitting on the surface of the water and of egglaying dragonflies (Sympetrum spec.) in tandem position are visible.
An accident on a youth rafting trip is used to illustrate the dangers of flirting with immorality. States the Lord's standard for morality and provides parents, leaders, and teachers with a starting place for discussions with youth to help them stay morally clean.
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.