

A collection of memories from a tumultuous time at University.
Themselves / Sanger Rainsford / General Zaroff
0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
0.0Six sequences about Fascism and its segments throughout history.
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0.0A unique visual interpretation of Tyler, the Creator's latest album, Chromakopia.
8.0This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
0.0Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
8.0This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.
6.0Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
10.0An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
0.0"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
0.0In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)
0.0From LUX: "Welsby adopts a system of camera movements to chart the movement of tides, waves and sky".
0.0An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
0.0On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.
0.0Every morning, Marcel confides in his tape recorder. It is from his reflections on life that this film takes us into the wake of his story.
0.0A short documentary and character study about a woman's complex relationship with religion and family.
7.5Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
10.0A hen questions the meaning of her life on a farm.
0.0Leevi Pienihäkkinen’s tight experimental short documentary Peace and Silence dives into the Helsinki night, exploring the darkened city with fresh eyes. The familiar spots of the city centre flash in the images, but something is different. The everyday becomes weird, details vanish, lights shine taking over everything around them. Humans remain anonymous and faceless, silhouettes against the backdrop of the dark city.