This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.
This early HIV/AIDS film uses the popular and compelling narrative format of the telenovela to illuminate the effects of AIDS on a cross-section ofthe Latino community in Northern California. Different families and individual characters address complex issues such as sexual practice, sexual identity, and drug use in the family. Touches upon safer sex, male homosexuality and bisexuality, and does well representing several Spanish-language idioms. Allows for the development of an elaborate story encouraging honesty and cultural survival as well as self-criticism within the Latino community.
1987-01-01
0
Two strangers meet at a train station on the day of an LGBT march. Their conversation drifts from topic to topic, as they flirt, argue, do small talk, and eventually share their secrets and loves.
Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.
Walter is HIV positive and is leading a promiscuis life in Rome. He does this so that he won’t infect his wife. Walter’s wife is also cheating on him. In a decidedly dull subplot, Walter’s father is a senator who wants to use his son’s illness to promote his own political career by calling for more AIDS research.
Emma loves Sammy, who loves Cyril, who loves her back. What could have been a love story at the end of the last century is blown apart by the arrival of AIDS. Expecting the worst, each character's destiny takes an unexpected turn.
Told through the voice of former KGB agent Viktor Petrovich, whose life becomes inextricably linked with Ronald Reagan's when Reagan first caught the Soviets’ attention as an actor in Hollywood, Reagan overcomes the odds to become the 40th president of the United States.
Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.
When a young dancer moves to San Francisco in the early 1980s, signs of a sickness test his relationships, as well as his lifelong dream in this strikingly photographed and stirring portrait.
Marina, 18, orphaned at a young age, must travel to Spain’s Atlantic coast to obtain a signature for a scholarship application from the paternal grandparents she has never met. She navigates a sea of new aunts, uncles, and cousins, uncertain whether she will be embraced or met with resistance. Stirring long-buried emotions, reviving tenderness, and uncovering unspoken wounds tied to the past, Marina pieces together the fragmented and often contradictory memories of the parents she barely remembers.
It is 1984. Frank is a determined English teenager who runs away from high school to find an alternative gay lifestyle in Amsterdam. He finds a home and a job at the "House of Boys", a bar-cum-brothel run by a strict Madame who has an eye for what his punters crave. Frank works his way up from barman to on-stage dancer and falls in love with some of his housemates, Jake. The first intimations of what is described as 'the gay cancer', casts a long shadow over Frank's tight-knit group of friends. Yet despite the troubles that cloud the hopes and dreams of young Frank, his perseverance, along with support from a willing doctor, will carry him through.
Against all odds Themba realizes his dream playing for the National soccer team, Bafana Bafana.
A trio of interweaved transgressive tales, telling a bizarre stories of suburban patricide and a miraculous flight from justice, a mad sex experiment which unleashes a disfiguring plague, and the obsessive sexual relationship between two prison inmates.
Ananias, a San Francisco Bay Area artist and immigrant, performs the folkloric Danza de los Viejitos (the Dance of the Old Men). Originally from Michoacán, Mexico, where the dance originates, Ananias interprets its movements through the lens of his spirituality, his long-term HIV-related disabilities, and his search for a place in the world.
Andy’s friends confront both their own mortality and the deadly new disease stalking their community, while his conservative family grapples with never having come to terms with his sexuality.
Se Met Ko is a model fictional analysis of attitudes and misconceptions about AIDS within a Haitian-American neighbourhood. The video uses indigenous cultural references and socially-specific occasions to demonstrate how communities, with individuals acting in enlightened co-operation, can responsibly respond to the AIDS crisis.
Please Adjust Your Sex is a DIY no-budget videotape by and for young people that encourages viewers to engage in safer sex and safer drug use practices while also encouraging them to embrace their desires and reject the patronizing and moralizing media cacophony bombarding them everyday.
A story about life, love, survival and death of a family struggling to find a place under the sun. The son got infected with HIV and that's when the conflict started.
An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.