She's not the kind of woman who sneaks around a hotel fucking strangers and having affairs. She would never be so careless with her marriage. Every time she blows a new cock or spreads for an acquaintance, i"s a special circumstance. Her husband wouldn't understand. It's better he not know.
During an innocent party game at the friends' annual dinner on Walborg night, the hostess discovers that her husband is cheating on her with one of the friends. The discovery has significance for all the guests, as old relationships change and new ones are created.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
What would happen if the boys were girls and the girls were boys? Kim is still a virgin and unhappily in love with a girl. After the gym class he talks to his friend Robin to get some support and ask for advice.
Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
When 10-year-old Joshua (Lurie Poston) decides to join the cheerleading squad at his Catholic school, he faces an uphill battle -- and opposition from his single mom, Andy (Carrie Preston), who struggles to understand her Hollywood musical- and pom-pom-loving son. With the help of sympathetic neighbor Charlie (Michael Emerson), Andy attempts to embrace her son for who he is, not who she wants him to be. James Vasquez directs this touching comedy.
The captain of a downed airliner must help his crew and passengers survive on a deserted jungle island in the midst of a power struggle - an adult version of "Lord of the Flies."
When a young author returns to her horror roots, terrible things begin to happen around her.
A small girl makes her living selling matches on the streets of New York. It's winter, and the hustling crowds at best ignore her, and some are outright rude. She takes shelter and, to try to stave off the cold a bit, lights a match. It gets blown out; this happens again, then on the third try, she falls into a dream. In this dream, cherubs attend her, she gets a new doll, then a new dress. The cherubs put her on a throne. Then a storm comes, and she goes toward a candle. That candle goes out, and we see that back in the real world, so did her match and her life. An angel comes along and takes her soul.
easy love is the experimental fiction debut of Tamer Jandali. His way of working shifted between documentary and fiction when he followed seven men and women from Cologne on their search for a balance between emotional security and sensual fulfillment. In four months of shooting those protagonists acted as braver versions of themselves. The camera opened the possibility to pursue their unlived dreams, fears and fantasies and ultimately experiencing them in reality. By shooting in a small team, always on the edge between documentary and fiction, Tamer Jandali created space for intimacy and a new form of cinematic authenticity.
On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.
A romantic story about Jakub, a student in the summer camp, and his teacher Klara.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.