Virus(1997)

Mouskater(fr)

A choreography of discarded lottery tickets and the repetitive rhythms of various Parisian PMU’s. As if by chance, we meet Mostefa, a regular who doesn’t believe in luck.

Loneliness & Laundry(en)

"Too embarrassed to accept help, Tabitha lives alone in a (slightly stinky) pit of solitude. But even the stinkiest pits need tackling eventually, and Tabitha’s attempt to clean sends her tumbling into a world of softness—and sentient clothing."

Passenger(en)

In this anime-inspired film, a vengeful spirit tries to possess Cora's body, but over time they form a dysfunctional relationship.

Away We Stay(en)

Horrific(en)

A Texas goat rancher must defend his double-wide trailer from a mysterious predator.

I Choose to Live(sl)

The documentary »I Choose to Live« presents a touching confession of a young girl who after losing her mother, tried to end her life. Later on she struggled with self-destructive behaviour and also an eating disorder. In this documentary the young girl is portrayed by the actress Nina Rakovec. The theme of mental health of youngsters is highlighted with the help of the professional counsellors.

Mosholu Parkway(en)

Mosholu Parkway is a short film comedy about a day in the life of a raucus family during World War II, a teenaged girl's disastrous blind date and her 80-year-old aunt who runs a crap game out of her apartment in The Bronx, New York in 1942 . Director Allison Robbins Writer Allison Robbins Stars Caroline AaronMatthew BrodskyMike Cefalo

Little Boy(en)

Reese meets with his sister Shelley reluctant to reveal his greatest secret. Shelley reassures him that fear is not a sign a weakness.

Canada Vignettes: Newfoundland(en)

An examination of the Viking explorers who were the first Europeans to discover Canada.

Canada Vignettes: The Maple Leaf(en)

The maple leaf on the Canadian flag turns into two profiles that illustrate the many relationships between people.

So You Think You're a Nervous Wreck(en)

Joe McDoakes attempts to deal with his myriad neuroses.

Liv(sv)

An 85-year old woman suffers from dementia. She dreams.

A Jupatarama(es)

Lilies(en)

A gang of happy Halloween party animals are heading for the haunted party of the year, when they are accosted by a strange old man. He's laying flowers for a funeral that hasn't happened yet...or has it? This is going to be one party no one forgets in a hurry. After Trick or Treating in the Deep South in the 80s as a sugared-up tiny ghoul, writer/producer Nina Romain has never stopped being obsessed with Halloween - which is why five of her horror shorts are about 31st October. Shot in the mean streets of urban decay in south London, this modern day take on Clockwork Orange sees the tables turned on Halloween revellers in a way you won't see coming. Lilies has been selected by Hollywood Horror Film Festival, Take It Easy Film Festival, MedFF, Aab International Film Festival, was a semi-finalist at the AltFF Alternative Film Festival, a finalist at Upstate NY Horror Film Festival and the Shock Stock Fest.

Echoes Of Ivory(en)

Deep in the frigid valleys of northern rural Canada, two survivors atop a desolate peak run thin on supplies and hope. The only remaining from their group, they wait naively for help to come. Fighting long days of paranoia and an unidentifiable entity lurking in the darkness of night, their situation grows bleaker by the minute. What follows are the last 24 hours spent on their mountaintop campsite.

Otava(sl)

An adolescent girl tries to dream about memories of Mother while having to be physically present in the surrounding farm with grandmother.

Lost Between the Pages(en)

A writer must choose between love and career in the wake of an explosive argument.

Who Said Meow?(ru)

After hearing someone's "meow" for the first time in his life, baby puppy goes in search of the unknown beast and meets various inhabitants of the house and yard. On children's curiosity and the first acquaintance with the world.

Speaking in Tongues: Take One(en)

A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.