Sklizeň(2000)

High Voltage(en)

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

Short-Term Bonds(en)

Wall Street business executives Bowers and his assistant Lisa get stuck in an elevator where the lingo of commerce is transformed into the language of love.

Un Baiseur de plante(fr)

The Art In Anguish(en)

Josh Thomas is an artist grieving the loss of his wife, channelling inner turmoil into art. When presented with an opportunity, Josh must decide whether he’s selling art or his emotions.

New Life(en)

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Triumph and Ruins(it)

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

And there was evening and there was morning. The first day(en)

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

The Architects(en)

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)

Bradlee(en)

The surreal, experimental story of an unseen serial killer.

Mi Vida Me Pasa(es)

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.

2bhk(hi)

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

City Shock(en)

Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.

Lucifer, my love(es)

A man's life becomes threatened after he goes on a date with a woman who's in love with the Devil.

HELP(en)

A man in need of help eventually receives it, whether he asks for it or not.

Sweet Pea & Glass(en)

Two rookies have one last chance to prove themselves to the "Suits" gang. All they have to do is ditch a body in enemy territory without being caught. If the rival "Scars" don't kill them, their boss sure will.

Enharmonique(xx)

ENHARMONIQUE is the result of the transformation produced by the encounter between matter and imagination. In this film, inspired by the cycle of nature through the four main elements (water, wind, earth and fire), existence follows non-existence and vice versa, and worlds follow one another. With the help of the music, which is exactly based on the evolution of the film and serves to further express its meaning, the audience is immersed from beginning to end, in one event after another, hearing a complete symphony. The notes or frequencies of these compositions are interpreted by algorithms, which generate an evolving and organic film, a kind of matter in motion. My aim is to show the movement of matter in space, as well as its change and transformation in the context of time and space. I leave the interpretation open to audiences with different points of view. - K.K.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

77777(cs)

Elements of Nothing(ja)

For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.