Documentary on the film noir Side Street with director Oliver Stone and critic Richard Schickel.
Self
Self
Documentary on the film noir Side Street with director Oliver Stone and critic Richard Schickel.
2007-07-31
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Documentary on the film noir Decoy, with Dick Cavett and Molly Haskell.
Richard Schickel and Oliver Stone are among the experts who talk about the film noir Crime Wave.
Film noir, which enjoyed particular success in the 1930s and 1940s, is probably the most profound genre of classic Hollywood cinema. Eckhart Schmidt tries to show the background and developments and speaks, among others, with directors such as Richard Fleischer and Robert Wise as well as with "femme fatale" actresses. Filmmakers of the following generations explain how the style and themes of noir continue to shape cinema today.
Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.
Film critics, actors, film historians and other personalities share their experiences and curious stories on the acclaimed Billy Wilder's masterpiece "Sunset Blvd."; its cultural importance by being one of the most iconic and revolutionary films ever made and a picture that still stands the test of time.
When a new murderer in town travels through the phone, Detective Rick finds that all signs point to the culprit being a bear. But bears can't use phones. Can they?
A documentary about film noir films made in Los Angeles.
Spain. 1978. Year of the first democratic elections following the dictatorship, and of the birth cine quinqui (delinquent movies): films that rapidly became a big commercial success, showing things that were banned by the censorship not too long before.
Jump into the world of Film Noir and look at how the technology and economic factors gave birth to a genre that still deeply influences the way filmmakers work today. Take a look at 4 Film Noirs spanning the beginning and end of the classic film noir era: "The Stranger on the Third Floor", "Double Indemnity", "The Big Combo" and "Touch of Evil".
After emerging victorious from the horrors of World War II, the U.S. eagerly pushed into a new era of optimism, hope, and success. But the shadowy and cigarette-stained B-side to the bright, shiny America emerged: the film noir. Made for cheap, these dark tales scratched at a different society, filled with twisted psyches and sinister motives. Filmmaker Tom Thurman teams up with film critic and narrator David Thomson to weave together a hypnotic collage of a dark world that influences our national identity to this day.
A bank employee uses a loophole in Argentine law to concoct the perfect crime, planning to reap the rewards of his embezzlement after serving six years in prison…
A cabaret performer tries to protect her daughter from a mysterious killer while resisting the advances of the prosecutor pursuing the criminal.
In the midst of an attempt to take over his company, a powerhouse executive is hit with a huge ransom demand when his servant's son is kidnapped.
Gruff gumshoe Francis Hogan is hired by a mysterious woman to find her boyfriend who has gone missing. With his perpetually hungry partner in tow, Hogan must untangle a web of intrigue involving the criminal underworld and a dead courier. One double-cross follows another as Hogan investigates the whole sordid affair.
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
Private eye Phillip Marlowe wants to get out of the detective racket and into crime writing. But when he's called to the office of editor Adrienne Fromsett, it's not to talk about his story ideas — she wants him to locate the missing wife of her boss, Mr. Kingsby. The assignment quickly becomes complicated when bodies start turning up.