As Peter (Roman Todd) and his stepsister Susan (Melanie Brooks) are watching TV, Peter realizes his sister is stroking her cock. Worried that their mom will hear them, they lock themselves in their room and work off some sexual tension. After time apart, Bill (Dante Colle) makes a surprise visit back home. He's surprised to see his stepsister, Sadie (Crystal Thayer), all grown up and they both move towards recreating a night of passion they had before he left. Angelina (Angelina Please) is practicing her dance moves for social media and her stepbrother, Dillon, Kenna (Eva Maxim) throws her sister Cassy (Casey Kisses) a bachelorette party. Kenna "accidentally" spills champagne on Cassy, as an excuse to get her away from the party to suck Cassy's hard cock.
Ari can’t satisfy his wife Sara. He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.
Guerrino, a prematurely widowed businessman, falls in love with Chantal, a former paratrooper in the German army who changed sex a few years earlier.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
Paul and Kim meet when their vehicles collide. Paul is fascinated with the attractive Kim. It turns out that the two were childhood friends in Catholic boys' school, but back then, before the operation, Kim was named Karl.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
A kinky, experimental dream of transexual cannibalism. The first of the Daydreams series.
The marriage of Javier and Patrizia works very well, especially when they make love while watching Lola on the videocassette in very erotic poses and provocative gestures. In the end it is discovered that Lola is his lover and he married Patrizia only for hunting her fortune and Lola is not Lola but Pedro. And he is a bisexual who dominates Javier's will, until he leads him to disaster out of ambition, while Patrizia and a very dear friend go to rest in Ibiza.
Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.
A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.
Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.
A transgender woman’s journey in a society stigmatizes gender transformation. Will Marykutty come out victorious while shredding all the taboos associated with transsexuality?
In 1960s Singapore when Bugis Street was a center of transvestite and transsexual prostitution, naïve sixteen-year-old Lian comes of age working as a receptionist for the Sin Sin Hotel, home to a gaggle of trans women whom all have stories of broken hearts and drunken sailors.
River goes to their first appointment at the “Gender Identity Disorder Unit”. There, River has to answer the psychiatrist's test that will decide if they will be able to access the care they need. River knows exactly what they has to say, but one small detail will endanger their plans.
A local Thai flight crashes inside Burma in rebel held territory. Amongst the survivors are several gay men and transsexuals. The Thai Army is ordered by the Foreign Ministry to rescue them. One of their soldiers is a bit of a loose cannon and he hates homosexuals as his son is one. However he must do his duty despite his prejudice.
Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.
In this documentary, a Hollywood hopeful immersed in geek subculture decides it's time to tell the world that he loves transgender women.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
A transvestite is bedridden in a colorful room. A customer arrives, then a game of hide-and-seek, of pretense and confusion of feelings begins.
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”