31.1(NaN)

Real Boy(en)

REAL BOY is the coming-of-age story of Bennett Wallace, a transgender teenager on a journey to find his voice-as a musician, a friend, a son, and a man. As he navigates the ups and downs of young adulthood, Bennett works to gain the love and support of his mother, who has deep misgivings about her child's transition. Along the way, he forges a powerful friendship with his idol, Joe Stevens, a celebrated transgender musician with his own demons to fight.

Kiss the Wind(zh)

After the COVID-19 time, the weather gradually turned cool and the octogenarian couple led a quiet life. The couple realized that there were only three people left in their generation after stumbling upon a photo. So they decided to visit their relative who lived in another city.

Roxana(en)

Roxana follows a young mother’s return to the juvenile detention center she was once incarcerated in, now as a trained somatic therapist. Through an intimate look into the lives of incarcerated youth, we will see the consequences of childhood trauma.

Memory(pt)

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

Glittering Hands(ko)

Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.

Europa - Let Me Know When You Get There(pt)

Victor introduces where he lives: inside a rhinoceros's head.

Daddy's Girl(fi)

Daddy’s Girl is a story about differences, but also about similarities, reunions and the difficulty to hate. Father and daughter know each other so well, that even the most tragic scenes start to seem comical. Melisa’s relationship to her father is so painful, because there’s so much love involved.

The Sociologist and the Bear Cub(fr)

Between September 2012 and May 2013, France is debating the upcoming marriage equality laws. During those nine months, sociologist Irène Théry talks about what is at stake with her son Mathias Théry, who will make a movie with Étienne Chaillou out of those hours of conversations. It is a documentary about the social debate in France, but also about family and intimacy.

Nai Nai(zh)

Nai Nai follows the story of a Chinese immigrant grandmother, Chu-Ming Wu. Known as “Nai Nai,” Chu-Ming has always been a woman of control. But her grasp of reality and the control of her own mind is slipping away. Told through the lens of her grandson, the film focuses on the joyful, heartbreaking and intimate moments in the last chapters of her life.

The Not So Secret Life of the Manic Depressive: 10 Years On(en)

Ten years ago, in an award-winning series, Stephen Fry first spoke about living with manic depression and began a national conversation about mental health. A decade later, we return to the subject to understand where he and thousands of others diagnosed with bipolar (as it is now called) are now.

The Homes We Carry(de)

Hammer and compass in Mozambique. We see a GDR flag waved at a rally in Maputo, carried by "Madgermanes", contract workers who once toiled in eastern Germany. Some of them founded families there, like Eulidio. His daughter Sarah grows up with her mother in Berlin. The relationship with her "second home" is slow in growing, partly thanks to Luana, Sarah's baby, whose father, Eduardo is also from Mozambique.

Renée R. : Lettres retrouvées(fr)

The Archaeology of Community(en)

Through archival footage of his parents' wedding, the filmmaker embarks on a personal and societal reflection on the theme of love and marriage in contemporary Serbia. The film follows scenes from a traditional Balkan wedding, where songs, dances, and rituals reveal deeply rooted heteronormative values. As he watches these moments, the filmmaker questions his own relationship to marriage as an LGBT individual in a society grappling with change, yet resistant to equality. Will he, as their son, ever have the chance to experience love and marriage the way his parents did? The film explores the dilemma between tradition and modern love, confronting the past with hopes for a future where everyone has the right to love and union without restrictions. Through this personal narrative, the filmmaker addresses the issues of acceptance, family, and dreams that may never become reality in the current social context.

Rostros perdidos(es)

Stále spolu(cs)

Sister Hearts(en)

Maryam Henderson-Uloho spent thirteen years in prison in Louisiana, seven in solitary confinement. After her release she struggled to find housing or employment. She began selling secondhand goods out of a suitcase on a street corner in New Orleans. In just three years, she grew her business to a brick-and-mortar thrift store—one that also provides housing and employment for other formerly-incarcerated women. She calls those women—and her store—Sister Hearts.

La memoria inmortal(es)

From Under the Rubble(ar)

This is a detailed personal account of one of the worst incidents to take place during Israel's 2009 invasion of Gaza. Ten-year old Amal Samouni lost her father, brother and 48 members of her extended family. She spent three days trapped under the rubble and still suffers from fifteen pieces of shrapnel imbedded in her head. Her shocking story is brought vividly to the screen by director Anne Tsoulis who examines the events and the cost to those affected.

NDDJ (Notre-Dame-du-Jambon)(fr)

Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.

My new friends from ward three(nl)

Frans Bromet ends up in the Reade rehabilitation clinic in Amsterdam after a brain haemorrhage. He soon picks up his camera and films his roommates and healthcare staff. Frans discovers how important intensive guidance is. But the bond with his fellow sufferers is also greater than expected. When he hears of upcoming budget cuts, his concerns grow about the future of the institution and therefore also about the rehabilitation process of the clients.