Women Don't Cycle(2022)

A Woman's Place(en)

A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.

Ouaga Girls(fr)

A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.

Radical Harmonies(en)

Interviews and performance footage are used to provide an overview of the women's music scene.

Make Love Not Porn(el)

Against the stereotypes of the “ideal” woman and the symbols of Pornography, the women in the works of Greek comic artist Stavros Kioutsioukis preserve their personality: they are the girls next door who try and get their rights in Happiness and Love.

L7: Pretend We're Dead(en)

A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.

Black Women, Sexual Politics and the Revolution(en)

Focuses on sexual equality in the Black community.

Suzanne Lenglen, the court of liberty(fr)

Having won 250 tournaments, including 83 without losing a single game, 3 Olympic medals, 6 Wimbledon titles and only suffered 7 defeats, Suzanne Lenglen (1899-1938) left an indelible mark on world tennis. Away from the court, the French tennis player was also a feminist icon and talented writer.

A Vision in the Darkness(fr)

Through the eyes of a Quebec Jewish activist, Lea Roback, feminist, unionist, pacifist and communist, A VISION IN THE DARKNESS proposes a modernist vision of Quebec history, from the beginning of the twentieth century to the period knows as « La Grande Noirceur », the Great Darkness.

Repense o Elogio(pt)

A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. "Rethink the Praise" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.

so many lives, one story(es)

Testimonies about the social and feminine marginality of female residents. The need to face problems through collective discussion. Filmed in a camp in Ochagavía.

Rock Chicks(de)

Rock'n'roll was a man's world they say. The film documents the often ignored female impact on rock's history, from the groundbreaking guitar stylings of Memphis Minnie and Sister Rosetta to the gnarly singing of Big Mama Thornton. Musicians as different as Suzi Quatro and Kristin Hersh tell about their experiences on and off the grid of stardom and the music industry.

Three Lives(en)

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

Bitch & Butch(sv)

Is it possible to make feminist porn? We follow the collaboration and discussions behind the scenes of the film Selma & Sofie, produced by Swedens first all female film crew. Sara and Camilla - who play the leading parts - come from a small place in the North of Sweden, and have never done anything like this before.

By Her Hand(en)

In this inspirational documentary we witness the contributions of nine remarkable women to the island of Aruba. Driven by their love of family and a passion for making a difference, they strive relentlessly to improve the socio-economic and cultural landscape of their beloved homeland. All without expecting anything in return.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman(en)

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

Sin Tu Permiso: Nosotras en la escena Hardcore y Punk Estatal(es)

Radical Vulnerability(en)

Performance artist Tasha Diamant is the first person in the world to stand naked on the street with the Extinction Symbol, which she started in 2012. This mini-doc was shot in 2019 in Montreal. Her work confronts privilege, capitalism, state oppression, obliviousness, whiteness, to name a few. Ask yourself: why 10 cops?

Boll Mo: Sexism in Kosova(en)

A documentary exploring sexism and patriarchy in Kosova.

Cycle of Memory(en)

Mel Schwartz escaped the Great Depression on a bicycle adventure he'd remember for the rest of his life... until Mel lost his memory to Alzheimer's. Now over seventy-five years later, his grandchildren set out to recreate his life-changing journey and find those memories before they slip away. Cycle of Memory explores the importance of intergenerational connection, healing painful pasts, and leaving a meaningful time capsule for the future.

T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s(en)

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.