2014-06-25
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Does Europe also have its own animistic heritage, like Pachamama in South America and Shinto in Japan? If so, which one? In the Misty Lands, i.e. Estonia, Latvia and Lithuania, a sacred fire is lit on the winter solstice to celebrate the return of the sun and ancient beliefs that have been forgotten in the rest of Europe for thousands of years. Sophie Planque and Jérémy Vaugeois decided to take a journey on bicycles to experience the Baltic winter and meet the people who keep their ancestral culture alive. A unique heritage that reinforces a deep relationship with nature.
Paying tribute to some of America's only surviving drive-ins – and those who keep them running – this heartfelt documentary captures efforts to preserve these nostalgic theaters in small-towns across the country.
Five men delve deep into the mountains of Utah, hitting five national parks within five days. What seems to be a typical hiking trip manages to turn into a reflective odyssey, with nostalgia bursting at the seams. Hikes swell into past moments already experienced, and current moments turn into those that will be remembered and told for lifetimes to come.
"Journey to the West" is an embedded documentary film into a bus full of Chinese tourists visiting Europe (6 countries in 10 days!) for the very first time. This road movie captures with humor, poetry and spirit the cultural differences between China and Europe in a play of mirrors and contrasts. It also destroys the stereotypes about the emerging Chinese middle class and reveals what they think about the "others" who are "us", the Westerners.
The fascinating landscape formations of Iceland in the North Atlantic bear witness to the beauty and primal power of nature. They were created through the interaction of powerful volcanic, geological and biological processes that have been changing the face of the earth for billions of years. This is what the Earth might have looked like four billion years ago. Iceland is the realm of ice and fire. Nowhere else is there such a high density of volcanoes. The landscapes, which are continually reshaped by eruptions, make the island a natural laboratory full of clues about the formation and development of the earth. The documentary follows a group of scientists through the most active areas of Iceland, along a mountain range that has emerged from the ocean. On the slopes of the volcanoes, in the fog of the fumaroles and on streams and rivers, the three researchers explore how the first forms of life populated the earth's surface and in what evolutionary steps they took over the earth.
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
The first Easter Island documentary, filmed in 1935 when the Belgian naval ship Mercator came to collect Drs. Henri Lavacherry and Alfred Métraux, who had arrived six months before to carry out archaeological and ethnological work. The film, directed with melodramatic gusto and featuring a full orchestral score by Maurice Jaubert (who also did the narration), shows islanders, the monuments, and a public dance. A theme of decay and decadence characterizes the film, the motif portrayed gruesomely by extensive close-ups of the inhabitants of the leper colony there at the time. The film suited a romantic image of a mysterious lost civilization, the survivors eking out a pitiful existence on a barren rock. (Grant McCall)
Carlos Saura shows us in this piece his personal vision of the land where he was born. Throughout the seasons we enter a route that ranges from the green Pyrenean landscapes to the Monegros desert. The images offer us the beauty of this Aragonese land but also reflect the harshness of its contrasts.
About the "concheros", dancers in México City that keep aztec traditions alive.
Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.
The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.
Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
Short ethnographic documentary showing a leopard dance based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
Short ethnographic documentary showing some everyday life scenes based upon footage shot by director Luc de Heusch in Congo in 1954 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).