Slowenien zwischen den Zeilen Literatur und Identität von den Alpen bis zur Adria(NaN)
Movie: Slowenien zwischen den Zeilen Literatur und Identität von den Alpen bis zur Adria
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A Touch of the Tar Brush(en)
Black filmmaker John Akomfrah believes that, for too long, being English has meant being white. In an attempt to show Englishness from the point of view of mixed-race English people, he visits Liverpool, one of England's oldest multicultural communities.
Tuning(sl)
After cheating on his wife with a prostitute, Peter must try and forge ahead with his idyllic family surroundings while carrying the guilt, but that doesn't stop his wandering eye or the temptation to do it again. Meanwhile, his wife Katarina receives mysterious text messages that might be indicative of her own indiscretions. As the two drift further apart while living in secret, their teenage daughter takes after their behavior while exploring her own sexuality, careful not to divulge too much information to her parents. A portrait of a family in a constant state of calm before the inevitable storm of discontent and discovered lies.
Who Are We?(en)
Canadians in search of the national identity will not find it fully fleshed in this film. An animated cartoon, it sees Canadians as pragmatists, adaptable to whatever climate or history place in their way. It is a boisterous, bubbling analysis of the Canadian character and, although it may not answer the question of the title, it does leave the feeling that being Canadian is not so exhausting as one might expect.
The Miner(sl)
2009, Slovenia. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay unburied. Alija loses his job and struggles to preserve his dignity.
Amandus(sl)
The film is based on a novel by Ivan Tavcar and was adapted for the screen by Andrej Hieng. It is set at the end of the 17th century in the area that is now Slovenia at a time of religious intolerance with Amandus, a Catholic priest, determined to persecute local Protestants.
Perseverance(sl)
The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.
Life in Kajzar(sl)
A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.
Lucia(sl)
A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?
Policemen 2(sl)
Two "milice" officers Janez and Franci are back after 20 years. This time they have to deal with Czech mafia and their leader Franta.
The Years of Decision(sl)
When Peter comes back from the war, he finds his father changed and alone. Their former maid, Leni, has also left and soon Peter's grandfather also dies. His father begins writing his memoirs of his Partisan years. Peter blames his father for his mother's death, but the final blow comes when he catches his father together with his (Peter's) former girlfriend. He moves in with his brother and accuses Leni of having had an affair with his father. Peter decides to kill his father but cannot carry out the plan. His father tells him in a fit of rage that he isn't his son at all. Feeling desperate and down, he goes to Leni's place for comfort, and finds her dead on the floor. The police arrest Peter for the murder of Leni. Will Peter have to serve a jail sentence on his road to maturity and will political connections have a bearing on the final verdict of the trial? Peter doesn't even know whom he can trust anymore.
Long Live Freedom(sl)
Old man Repovz recalls experiences of the WWII in an entertaining, comic way rather than tragic. A man breaks his arm to avoid being drafted; the other man shoots fire to scare enemy soldiers; love stories, as well as troubles with forced collectivization took place there. A partisan hero finds out that he lost her fiancee, but somewhat cheers up when his white horse comes back to him...
The Outlaw(sl)
The life of a man who dared to unfold the corruption and mismanagement in his factory takes a wrong turn as his marriage ends, his lover leaves him and he finds himself in a psychiatric hospital. After completing his stay in this mental institution, the gates of the factory are now closed for him. Will he be forced to apologize, or blood must be shed?
What a Sun(sl)
Veronica is a high school student studying to be a glazier, although she dreams of being a theatre actress. The only thing that she finds joy in at school is the company of her friend, Klemen and writing the script for a theatre play in her spare time together with a retired actress whom she has befriended. Her parents find it difficult to understand her acting ambitions - or rather, they would probably find it difficult, if they would bother to take the time off their busy schedules to try. Nor does anyone else understand Veronica. When all her plans go awry, she ends up in a home for juvenile delinquents. When she is released into the custody of her parents again, she eludes their vigilant guard and runs away to the country, to Klemen. Only Klemen's father makes it abundantly clear to her when she gets there that Klemen will not stand by her side either. Veronica finds herself out on the street again, where everything is possible and the future is open to her...
One Fine Day(sl)
A story set in a Slovenian village during Italian occupation. Stefuc, a man who has been widowed twice and has four daughters, wants to get married for the third time with Zana, who's already engaged and pregnant with Ludvik. Stefuc tries to separate them away, but realizes that he'll have to marry Hedvika, a nice looking girl who has just returned from Milan. In the meantime, Italian fascist authorities decide to eradicate five Slovenian songs with the help of local traitors.
Love Is the Ruin of Us All(sl)
At the end of the last century hunters who hunted wild roosters, while waiting for prey to show up, were killing time with storytelling. The first story is about Jernac that had a fight with Tomas because of Rezika. Another story tells about Tincek, limp foundling, who spent his youth with the Komar family, where he fell in love with their Lencka. The third is the story of a rich Miholac whose attention was grabbed by poor Polonca, a romance that was opposed by his father. The central theme of all stories is love that eventually everybody die of.
Codelli(sl)
Codelli is a feature-length docudrama about a little-known film project by Slovenian inventor Baron Anton Codelli. Together with filmmaker and adventurer Hans Schomburgk he filmed in Togo in 1914 the first live-action film in Africa, which possibly inspired James Rice Burroughs for his novel on Tarzan. In the company of three Codelli’s descendants and actor Primož Bezjak, we traced the fate of Codelli’s film, brought the remains from Togo and Berlin to Ljubljana and used the Green Screen technology to bring to life 15 live-action scenes based on 600 Codelli’s museum photographs.