Ceci n’est pas un GIF is a film only made with GIFs. It’s a breach, a short object that questions our relationship to the real and digital world, to our physical presence on Earth.
Ceci n’est pas un GIF is a film only made with GIFs. It’s a breach, a short object that questions our relationship to the real and digital world, to our physical presence on Earth.
2023-10-28
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The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.
The parents of an adult infant named "Child", played by Todd Haynes, attempt to expel him from their home, by casting magical spell seen in a television documentary about Malaysian rites of passage.
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.
A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.
While trying to use a random video processing app I programed for a series of shorts based on old basque footage, the program got buggy and produced very glitchy and broken images. I thought this preliminar test (atariko proba) gone wrong deserved to be a short on its own, so here it is. This has been made from footage of these movies, several of them digitized and shared by Euskadiko Filmategia: Biarritz : la plage et la mer (Félix Mesguich, 1899) , Irun (1912), Eusko-ikusgaiak (Manuel Intxausti, 1923), El día de Guipúzcoa (Agustín Macasoli, 1924), Los apuros de Octavio (Hermanos Azcona, 1926), Fiestas de Plencia (Leon Armando Zalvidea, 1927), San Fermín (1928), El mayorazgo de Basterretxe (Hermanos Azcona, 1929). Song is: Camille Saint-Saëns' Violin Concerto no. 3 in B minor, Op. 61 as preserved by European Archive for musopen.org
The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
Through thread and textile, an Asian seamstress tries to escape from the factory.
Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.