Sellout(2023)

The Last Debate(en)

Abbie Hoffman and Jerry Rubin were both on the leading edge of protest in the 1960’s. Rubin became an entrepreneur and the chief spokesman for the Baby Boom generation. Hoffman remained active in environmental issues and grass roots politics, maintaining his anti-establishment stance until the end of his life. The 1986 debate featured in this one-hour video was the “final” debate for these two eloquent speakers, following 18 months of touring North America. Though many years had passed since their heyday as counterculture icons, thousands flocked to auditoriums to hear the opinions of Hoffman – idealistic, unrelenting champion for truth and justice – and Rubin – ‘the pragmatic voice of the new right’.

Lilies of the Field(en)

A young mother, Mildred, doesn't know that her husband Walter is cheating on her. One night she attends a party with a friend of her husband's, and the man gets drunk and begins groping her when they get home. Her husband sees this and uses it as an excuse to sue his wife for divorce. In the ensuing trial he wins, due to fraudulent evidence, and gets custody of the child. Complications ensue.

Lilies of the Field(en)

Mildred Harker loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing.

I Love You(hr)

A successful but also hedonist young man gets afflicted with HIV by accident, eventually being abandoned by everybody around him. He becomes a problem for society until meeting another unfortunate person like him.

No Is No Answer(en)

Sigga and Didi are sisters who lost their mother when very young and were separated. Since then their lives have taken very different paths and their characters have come as different as black and white. When they meet in their twenties the pair take a run through Reykjavik, ripping off drug smugglers and dealers and partying while escaping from the thugs.

Long Dark Night(hr)

"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.

The Glembays(sh)

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

Mother of Asphalt(hr)

An abused wife leaves her husband, takes her child away and goes to live in a car.

Capital (Todo el mundo va a Buenos Aires)(es)

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)

Macu, la mujer del policía(es)

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

God Forbid a Worse Thing Should Happen(hr)

The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.

Agonies(en)

Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Woman Doctors(de)

Lydia Kowalenko is fired from the pharmaceutical company where she has worked for many years because she refused to help cover up the use of a dangerous chemical. Her daughter Katja, however, has no scruples and risks an operation which is more beneficial to her own medical research than to the convalescence of a young patient. Then Katja's only son dies after a car accident. Was he too the victim of a career-minded doctor?

Fariaho(de)

Fleur Lafontaine(de)

Arctic(en)

Simon and Jota are two young scoundrels who hit the street every day to eke out a living. Each one wants what he lacks. Simon cannot stand being surrounded by his large family all the time. Jota wants to stop leading a lonely life and will do his best to have his own family.

Le Piège d'Issoudun(fr)

Glück im Hinterhaus(de)

Karl Erp is a middle-aged man with two children and a boring marriage. After starting an exciting affair with his intern, Miss Broder, he leaves his loveless marriage and moves in with his lover. Under pressure from Miss Broder’s mother, Karl once again promises marriage. He finds, however, that the excitement that drew him to her in the first place doesn’t carry over into their daily lives.

The Man of the Crowd(pt)

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.