The girls are back in town. Volume 2 is packed with more steamy TS-on-TS scenes than you can handle. 10 hot girls in 5 sizzling scenes – it’s a tgirl feast for the senses!
"Trees and Jamaica Daddy" was the first of a UPA series (short-lived) that featured two different subjects (plot, characters)running about 3.5 minutes each, on a seven-minute reel. The first one here was titled "Trees", featuring a little girl named Hattie giving her version of the birds, the bees and trees. The second one on the reel was called "Jamaica Daddy", about the animated Hamilton Ham and his band, who tell all about, in music and the usual UPA animation style, Jamaica Daddy, and his family tree in calypso fashion. "Ham-and-Hattie" were not a team, and did not appear together in this cartoon.
Jakob thinks that everything is going well with his girlfriend, but the relationship ends abruptly. He can not put her behind him, even if a new girl enters the picture.
A crafty child who wants to see his mother again after her death, finds a way to do it.
A painter's life is changed forever when a mythical and deadly spirit from Celtic lore becomes his muse and lover.
The word panchão was first heard in Macao. From the Chinese pan-tcheong or pau-tcheong, dictionaries define it as a Macanese regionalism also known as China cracker. Who inhabits the ancient IEC Long firecracker factory?
A young man wakes up one morning to find that his head has transformed into a large cabbage. He quickly becomes a source of bemusement, desire and hostility to all those around him.
This is the story of a man who does not know the situation of women given by the value of the relationship, and his course is a fun story.
A satirical allegory of contemporary South Korean politics, the film follows the exploits of two convicts who accidentally escape while being transferred to another prison. Before they can turn themselves back into custody, they meet a female outlaw. She persuades the pair of prisoners to rob a bank in Seoul. When their robbery turns into an embarrassing fiasco, the two decide to flee to the North Korean border.
An investigation of UK video censorship after the video recordings act was introduced.
An autobiographical documentary made by a mother who follows the gender transition of her adolescent son: between 2016 and 2019 she interviews him addressing the conflicts, certainties and uncertainties that pervade him in a deep search for his identity. At the same time, the mother, revealed through a firstperson narration and by her voice behind the camera that talks to her son, also goes through a process of transformation required by the situation that life presents her with by breaking old paradigms, facing fears and dismantling prejudices.
Emily the chicken lives in Hickville but dreams of Hollywood. Her chance comes when director J. Megga-Phone happens to drive past and gives her his card.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
They say the real estate business is deadly, but no one is more surprised than Hannah Swensen when her mother, Delores, discovers the dead body of the homeowner – and regular customer of The Cookie Jar – while house-hunting for her sister Michelle. Hannah is determined to get to the bottom of the mystery and is convinced that the prime suspect Mike and the Sheriff are focusing on isn't the culprit. Hannah's sleuthing becomes a family affair when Delores, Michelle and even her sister Andrea – who pays an unexpected visit – take part in the investigation. As Hannah uncovers clues she slowly rules out suspects and is led to the shocking truth about the killer's identity.
On a trip to the Aegean, Maria D., who lives withdrawn and is shy of people, is confronted with the impressions of an archaic culture. Fascinated by the morbidity and religiosity of the people living on a Cycladic island, she decides to put an end to her loneliness.
Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
Guerrino, a prematurely widowed businessman, falls in love with Chantal, a former paratrooper in the German army who changed sex a few years earlier.
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
A kinky, experimental dream of transexual cannibalism. The first of the Daydreams series.
Ari can’t satisfy his wife Sara. He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.
This short documentary traverses the off-the-wall psyche of Generation Z by way of visionary 3D artist, Scum Boy - a young South African, Jewish trans man living his life with illuminating fearlessness.
A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.
River goes to their first appointment at the “Gender Identity Disorder Unit”. There, River has to answer the psychiatrist's test that will decide if they will be able to access the care they need. River knows exactly what they has to say, but one small detail will endanger their plans.
Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”
Four members of a queer martial art club “Bender Defenders” in East London get together to celebrate trans people in sports through conversations about the necessity of anger, the pleasure of pain and the inevitability of friendship and joy as main tools of resistance.
In the small Mexican coastal village of El Roblito, 16-year-old Ñoño lives what seems to be an idyllic existence with his loving family. But he holds a secret. Defying gender norms, Ñoño works up the courage to tell his family he wants to live his life as a woman, a fraught decision in a country shrouded in machismo and transphobia.
A trans-sexual man return to his hometown to finish the bureaucratic process to become officially a male. But the public servant who should implement this simple bureaucratic operation is Giorgio, his first and only boyfriend.
A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?
Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.
Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.