Iskwew-ishkueu(2021)

Igloo(en)

Documentary detailing the hardships of life among Alaskan Natives.

Jewel’s Hunt(en)

Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.

Where the Land Ends(fr)

A documentary that explores what it means to be a young person in Quebec after the dissolution of the Quebec sovereignty movement.

El final del día(es)

The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.

The Rose Family(fr)

In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped Minister Pierre Laporte, triggering an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such acts. Thanks to the confidences of his uncle Jacques, who agrees for the first time to speak on the subject, and to the precious traces left by his father Paul, he revives the rich heritage of a Quebec working family and gives back to the October crisis its social dimension. The fruit of ten years of research, Les Rose allows us to revive moments and characters that we only knew through a few clichés, and gives a glimpse of the social blockage experienced by a rebellious youth and the upheavals that followed.

A Tent on Mars(fr)

Three decades after the shuttering of the mining town of Schefferville, the Innu people, who moved in after the non-natives abandoned the town, are facing a new challenge: the iron mines are about to be reopened. Land, identity and legitimacy are central to the dialogue between peoples locked in parallel struggles, the Québécois and the First Nations.

La ferme et son état(fr)

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

Cop Class(fr)

First look inside the walls of Quebec police’s training grounds and the realities of our next generation of police officers.

Silver Rivers(fr)

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

La Grande Invasion(fr)

Pour mes fils, mon silence est impossible(fr)

My Friend Dino(fr)

After spending 4 years in prison for drug trafficking, Dino tastes fame by interpreting the godfather of the mafia in the TV series Omerta. Now 72 years old, he's preparing for a role that could be his last. Somewhere between reality and fiction, My Friend Dino offers a special access to the universe of this likable anarchist.

Un homme de Parole(fr)

Les sentiers culturels(fr)

Trapper(en)

This beautiful short film captures the quiet dignity of a day in the life of a Northern trapper, without use of any dialogue.

Closeness to the Land(en)

In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.

Against the Tide(mr)

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

Totem Talk(en)

Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.

No Māori Allowed(en)

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.