Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana s jealous rival, the Princess de Bouillon. David McVicar s hit production the first performance of the opera at the Royal Opera House, Covent Garden for more than a century presents the life of the French actress as a blurring of the distinction between fantasy and reality. The action revolves around a life-size Baroque Theatre, taking us from the bustle and colour of the first act backstage at the playhouse, to the bare final scenes as the drama reaches its fatal climax.
Poisson
Quinault
Abbé de Chazeuil
Major-Domo
As Halloweentown prepares to celebrate its 1,000th anniversary, Marnie Piper and her brother Dylan return to Witch University, where trouble is in session from the Sinister Sisters and from someone who's plotting to use Marnie's powers for evil.
Flash Back 2012 is Minmay's farewell concert. Featuring some of her best songs, the music is performed over various scenes and events taken from the first Macross television series as well as Macross: Do You Remember Love film. Also included is a newly animated closing sequence showing the launch of Misa's colony vessel, the Megaroad-01, into space.
Combat has taken its toll on Rambo, but he's finally begun to find inner peace in a monastery. When Rambo's friend and mentor Col. Trautman asks for his help on a top secret mission to Afghanistan, Rambo declines but must reconsider when Trautman is captured.
Thirty years after defeating the Galactic Empire, Han Solo and his allies face a new threat from the evil Kylo Ren and his army of Stormtroopers.
Renowned producer, director and writer Judd Apatow makes his long-awaited return to stand-up comedy with this new special shot in Montreal.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Emerald Green is the stunning conclusion to Kerstin Gier's Ruby Red Trilogy, picking up where Sapphire Blue left off, reaching new heights of intrigue and romance as Gwen finally uncovers the secrets of the time-traveling society and learns her fate.
Raimund Gregorius, having saved a beautiful Portuguese woman from leaping to her death, stumbles upon a mesmerizing book by a Portuguese author, which compels him to suddenly abandon the boring life he has led for years and to embark on an enthralling adventure. In search of the author, Gregorius acts as detective, pulling together pieces of a puzzle that involves political and emotional intrigue and the highest possible stakes. His voyage is one that transcends time and space, delving into the realms of history, medicine and love, all in search of true meaning to his life.
It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor — and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they'll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. Will their final show break them apart or bring them together for the greatest moment in Wildcat history?
The Tooth Fairy is back. 15 years after the events of the first movie, Corey, now grown up but mentally scarred has gone to a class reunion. However, the Tooth Fairy is back, and this time - You better have flossed properly.
Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.
The East High Wildcats are gearing up for big fun as they land the coolest summer jobs imaginable. Troy, Gabriella, Chad, and Taylor have scored sweet gigs at the Lava Springs Country Club owned by Sharpay and Ryan's family. Sharpay's first rule of business: Get Troy. As Troy experiences a life of privilege he's never known, will he give up the Wildcats and Gabriella to rise to the top?
Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.
Jackass Number Two is a compilation of various stunts, pranks and skits, and essentially has no plot. Chris Pontius, Johnny Knoxville, Steve-O, Bam Margera, and the whole crew return to the screen to raise the stakes higher than ever before.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Full-throttle melodrama about an ill-starred romance set against the backdrop of the siege of Sarajevo. A mother brings her teenage son to Sarajevo, where his father died in the Bosnian conflict years ago.
The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.
Aspiring rock musician Neal Downs manages a cereal bar. Stylish Miss Pussy Katz is the creator of radically-themed art clothing. When the cereal bar, brings in an offbeat crew of locals, who debate the arcana of cereal history and ideal milk/flake ratios, an aspiring capitalist rips off their concept.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Wolfgang Amadeus Mozart is a remarkably talented young Viennese composer who unwittingly finds a fierce rival in the disciplined and determined Antonio Salieri. Resenting Mozart for both his hedonistic lifestyle and his undeniable talent, the highly religious Salieri is gradually consumed by his jealousy and becomes obsessed with Mozart's downfall, leading to a devious scheme that has dire consequences for both men.
It is to composer and librettist Arrigo Boito and his constant pestering of the octogenarian Verdi that there remained within him one last great comedy fighting to get out that we owe this absolute miracle of an opera. Produced in 1893 as Verdi turned 80 there is much in this masterpiece that can be identified as a modernist neoclassical work. The use of short motifs instead of long arioso melodic lines, the spry and reduced orchestral textures and the lack of a single 'stand and deliver' dramatic declamatory aria all serve to make this more of a 20th century work than an example of 19th century late-Romanticism.
Is this a film about Scrooge? About a composer’s life? An opera within an opera? The Passion of Scrooge blurs these lines between performance, documentary, and fiction, into a cinematic concert experience that’s seasoned with magical reality. Composer Jon Deak has adapted Charles Dickens’ timeless tale into a contemporary opera that melts the heart, but doesn’t avoid the darkness in Scrooge that’s still resonant with the material concerns of our time. Using neither period costumes, nor set pieces to reconstruct old England, the film invites you to experience A Christmas Carol with the imaginative possibilities of a radio play. And then, to meet those visions in your head, filmmaker H. Paul Moon‘s floating camera intimately captures musicians performing the score as characters themselves, in this ageless haunted redemption story about “us, every one.”
This work won Samuel Barber his first Pulitzer Prize for music: the Glyndebourne Festival presents Vanessa, a masterpiece premiered in 1958 based on a libretto by the composer's close friend, Bian Carlo Menotti. Set to one of the most beautiful scores of the 20th Century, Vanessa tells the haunting story of a woman who, once abandoned by her lover Anatol, retreats from the world to await his return, living in isolation with her mother and niece. Two decades later, a man arrives who shatters the delicate balance of their home… Olivier Award-winning stage director Keith Warner is joined by a brilliant cast and the London Philharmonic under Kevin Lin for this musical and dramatic masterpiece of Hitchcockian psychological twists!
With its cast of hundreds, thrilling score, and sweeping tale of love and heroics in ancient Egypt, Verdi’s Aida has long been a fixture on the stages of every major opera house in the world. For the 2018 revival of Sonja Frisell’s monumental production of this grand masterpiece, the Met assembled a truly all-star cast. Soprano Anna Netrebko takes on the title role for the first time at the Met, and mezzo-soprano Anita Rachvelishvili plays her rival, the conniving princess Amneris. Tenor Aleksandrs Antonenko is Radamès, the warrior that both women love, and Quinn Kelsey lends his robust baritone to Aida’s father, the fallen king Amonasro. Maestro Nicola Luisotti is on the podium to conduct this epic performance, filmed as part of the Met’s series of Live in HD cinema transmissions.
A towering biblical epic, Saint-Saëns’s operatic take on the story of Samson and Delilah has many of the hallmarks of grand opera—show-stopping vocal displays, thrilling choruses, and an engrossing plot set against a sweeping, pseudo-historical backdrop. It’s fitting, then, that Samson et Dalila has been chosen to celebrate the opening of the Met’s season four times in the company’s history, including when Darko Tresnjak’s bold new production premiered on the first night of the 2018–19 season. A few weeks later, the opera was shown as part of the Met’s series of live cinema transmissions, featuring an exceptional cast. Tenor Roberto Alagna was the heroic Samson, who ultimately falls victim to the seductive power of Dalila—the captivating mezzo-soprano Elīna Garanča. Bass-baritone Laurent Naouri sang the sinister High Priest of Dagon, with conductor Sir Mark Elder on the podium.
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West, with the heralded return of tenor Jonas Kaufmann in the role of the outlaw she loves. Tenor Yusif Eyvazov also sings some performances. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.
Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.
In the forest, the animals and insects are playing and dancing. The Forester enters and lies down against a tree for a nap. A curious Vixen Cub inquisitively chases a frog right into the lap of the surprised forester who forcibly takes the vixen home as a pet. Time passes and we see the Vixen, now grown up into a young adult tied up in the forester's yard with the conservative old dachshund. Fed up with life in confinement, the vixen chews through her rope and runs off to freedom.
Tchaikovsky's much-loved opera Eugene Onegin, a story of love, rejection and tragedy based on Pushkin's verse drama of the same name.
Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.
Le Villi is an opera-ballet in two acts composed by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, based on the short story Les Willis by Jean-Baptiste Alphonse Karr.
The chamber opera One represents a new kind of music multimedia drama. Michel van der Aa's poetic production of technological virtuosity fuses libretto, video, live music and soundtrack with the soprano voice and stage presence of Barbara Hannigan into One. Projected images and electronic sounds add emphasis to the onstage performance of the protagonist, while the recorded and live voice interact with incredible synchronicity.
William Kentridge’s multi-layered production of Berg’s masterpiece stars charismatic soprano Marlis Petersen in the title role—the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim. The men around her, whose lives she forever alters, are Johan Reuter as newspaper publisher Dr. Schön; Daniel Brenna as his composer son, Alwa; Paul Groves as the Painter; and Franz Grundheber as Schigolch. Susan Graham sings Countess Geschwitz, and Lothar Koenigs conducts Berg’s landmark score.
Met Music Director James Levine leads this Live in HD presentation of Wagner’s early Romantic opera, starring Johan Botha in the title role of the minnesinger torn between earthly passion and true love. Eva-Maria Westbroek is Elisabeth, whose unswerving devotion redeems Tannhäuser’s soul, and Peter Mattei sings Wolfram, his faithful friend. Michelle DeYoung as the love goddess Venus and Günther Groissböck as Landgraf Hermann complete the cast. Otto Schenk’s classic production was the first of his acclaimed Wagner stagings at the Met.
This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
In this surreal drama, a Young Victim invited to an immersive operatic production led by the Famed Fiend, a collector and protector of talent, finds himself infatuated with the Tempestuous Tigress, a young woman and the favorite performer, who wants nothing but to escape.