Hans Schilling, who emigrated to Chile shortly before World War 1, comes from Valparaiso to visit his old hometown of Stuttgart after an absence of almost 22 years. His brother Georg Schilling, who stayed in Stuttgart, picks him up at the train station. He proudly shows the homecomer the prospering, Swabian metropolis, followed by impressions of the city's architecture, economy and culture.
Hans Schilling
Georg Schilling
Hans Schilling, who emigrated to Chile shortly before World War 1, comes from Valparaiso to visit his old hometown of Stuttgart after an absence of almost 22 years. His brother Georg Schilling, who stayed in Stuttgart, picks him up at the train station. He proudly shows the homecomer the prospering, Swabian metropolis, followed by impressions of the city's architecture, economy and culture.
1935-12-08
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This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
Short-documentary about the squat at Amandastraße 73 in Hamburg.
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale.
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
About a group of door-to-door salesman who try to sell vacuum cleaners from "Vorwerk", a German manufacturer.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
The documentary tells the story of Uschi, a farmer living free and recluded in the bavarian alps. Shot in epic black and white pictures, Still follows Uschi's life over a ten year period. From an untroubled summer of making cheese through pregnancy and the uncertain future of the parental farm, Matti Bauer portrays Uschi's struggle to keep alive the dream of a way of life that has become rather untypical in this day and age.
Three young queer people share their experiences on what it’s like to deviate from the straight cis-norm. Throughout the film, painful experiences make room for a more positive perspective, such as the overwhelming sense of connection with millions of other queer individuals worldwide or the freedom that arises as one can relinquish certain expectations. This so-called ‘queer-joy’ is being discovered, providing inspiring and moving insights.
A young girl’s fiery dance, accidentally caught on 16 mm film in the street. The viewer is confronted by the sacrificial and the passionate, the strong and the fragile, the fleeting and the eternal. These are the faces of femininity.